Tag Archives: Party

Community – “Early 21st Century Romanticism”

“Early 21st Century Romanticism”

February 10th, 2011

Because of my busy Thursdays, Community has fallen out of the review rotation without falling out of the viewing rotation.

This is, in many ways, unfortunate. I still enjoy the show, and I think the show is doing things that demand critical analysis, but I’ve had to leave it to Todd, Alan, and everyone else taking a look at the show week by week.

This week, though, I had the benefit of a screener, which is why I was sad to see that “Early 21st Century Romanticism” was…well, it was a little on the straightforward side. This is not to say the episode is bad, but rather it is very blatant about what it is trying to accomplish, and I don’t know if that simplicity necessarily worked in all instances. It does, however, raise questions about to what degree this series can claim to feature consistent character development, and whether or not we buy the various character beats which punctuate this Valentine’s Day-themed episode.

Continue reading

Advertisements

6 Comments

Filed under Community

Life Unexpected – “Turtle Undefeated”

“Turtle Undefeated”

February 15th, 2010

Considering that Life Unexpected has been repeating its pilot pretty consistently since it began, I’m tempted to just repost my review of the pilot here and see if anyone notices the difference.

This seems harsh, and I really don’t mean that in a negative way: after all, I liked the pilot, so my willingness to repeat those thoughts indicates that I still believe them to be true. Similarly, Liz Tigelaar and Co. are repeating the pilot because it was a good pilot, and because the brand of sweetness that this type of story brings to the table is clearly what they’re trying to tap into.

However, because we know going into an episode how it is eventually going to end (with Lux struggling to straddle her old life and her new one, and Cate and Baze realizing they’re not perfect parents but they nonetheless fill important roles in Lux’s life), we’re sort of able to fill in the gaps more easily than might be advantageous for the show. Every time a character is faced with a difficult decision mid-episode, they’re definitely going to make the wrong choice, whereas if the same decision is presented towards the end of the episode they’re inevitably going to come around.

What the show lives or dies on, then, is whether the show that happens in between the initial setup and the inevitable sweetness is compelling enough to keep watching, with enough shades of something deeper than this nearly procedural structure that the show is operating under. And “Turtle Undefeated,” like most episodes before it, makes me glad that I didn’t just watch the beginning and the end of the episode and chalk it up as one more life lesson for everyone involved.

And yes, that’s praise.

Continue reading

Leave a comment

Filed under Life Unexpected

Season Premiere: Chuck – “Chuck vs. the Pink Slip”/”Chuck vs. the Three Words”

“Chuck vs. the Pink Slip”/”Chuck vs. the Three Words”

January 10th, 2010

“Trust me, Chuck – it’s all going to work out fine.”

The title of every episode of Chuck implies a conflict. It tells us that Chuck is in a constant state of opposition, and that this show is defined by the adversarial life Chuck lives, trapped between the job the supercomputer in his head forces him to do and the life he would be leading if it were not for that supercomputer. Much of the show’s best material, both comic and dramatic, comes when world collide, when the Castle invades the Buy More and when Ellie and Awesome become acquainted with Sarah and Casey.

And yet, so much of what makes the show work from a creative standpoint is that these elements aren’t in conflict at all. Although it may be tough for Chuck to reconcile these elements, keeping secrets from the people he loves most, the show has always been at its best when these worlds seamlessly become one and the show reflects the beautiful concert of spy and nerd, of friend and friendly foe (Casey), of real family and work family. And what holds it all together is that these are characters who have relationships, who relate to one another in ways that feel funny when they need to be funny, meaningful when they need to be meaningful, and difficult when they need to be difficult. This is a show that wouldn’t work were it not for these characters feeling part of the same world: a world with conflict, yes, but a world which never feels defined by that conflict, episode titles aside.

I say all of this both to celebrate the return of Chuck, and to recognize that the season’s key theme seems to be the characters themselves coming to term with the role that emotional connection plays in this universe. While some feared the show’s game-changing twist would fundamentally change the series’ DNA, it has instead done quite the opposite: the series’ DNA has stayed quite the same, and what’s changed is how aware the characters are of the ties that bind them together which go beyond job descriptions. In “Chuck vs. the Pink Slip” and “Chuck vs. the Three Words,” we discover that for Chuck to tap into all of the knowledge he has available, and for Sarah to discover what she wants to do with her life, all they need to do is realize that the very thing that they believe to be a source of conflict between them may be the one thing which solves their problems.

Which perhaps, in the process, solves the show’s biggest problem, at least for now, and gets Season 3 off to a rollicking start.

Continue reading

7 Comments

Filed under Chuck