“Early 21st Century Romanticism”
February 10th, 2011
Because of my busy Thursdays, Community has fallen out of the review rotation without falling out of the viewing rotation.
This is, in many ways, unfortunate. I still enjoy the show, and I think the show is doing things that demand critical analysis, but I’ve had to leave it to Todd, Alan, and everyone else taking a look at the show week by week.
This week, though, I had the benefit of a screener, which is why I was sad to see that “Early 21st Century Romanticism” was…well, it was a little on the straightforward side. This is not to say the episode is bad, but rather it is very blatant about what it is trying to accomplish, and I don’t know if that simplicity necessarily worked in all instances. It does, however, raise questions about to what degree this series can claim to feature consistent character development, and whether or not we buy the various character beats which punctuate this Valentine’s Day-themed episode.
“English as a Second Language”
May 13th, 2010
A week after Community’s most “epic” episode yet, it’s a bit jarring to return to a low-key episode about Spanish class and study groups. However, after a bit of a re-entry period, “English as a Second Language” nicely falls into a rhythm that fits with the show at the end of its first season. The central premise of the show means that they might not be in Spanish class next year, which raises some logical questions about how the show will work if they’re not all in the same class with an excuse to see one another every day.
Frankly, I think Community could have gotten away with keeping them in Spanish class forever and just not caring, but the show isn’t going to settle for that sort of laziness. Instead, they throw the entire group into chaos over the pending changes, and eventually come to a conclusion which speaks to the ways in which the group dynamic is changing and (more importantly) a glimpse at what the show will look like in the future.
“The Art of Discourse”
April 29th, 2010
Episodes of Community have been airing out of order for a while, so once I heard a moment in “The Art of Discourse” where Vaughn was mentioned I presumed that it wasn’t in chronological order. Turns out, contrary to the original review written under this false assumption (it was Annie and not Britta that it made mention of, it was in fact in order: however, my confusion still makes me wonder about whether it really matters where this episode was placed
Regardless of whether it was out of order, the episode works: there were some funny moments, and while the episode seemed like it gave into the show’s gimmicks a bit more heavily than others there remained a clear sense of purpose and character within the story. My confusion was likely the result of some strange “early group dynamic” material about why precisely characters like Shirley and Pierce are part of this group; placed at this late point in the season, it seemed a little bit unnecessary, and while the episode ends up being funny enough to survive it doesn’t quite feel as evolved as some of the more recent material.
Or maybe I’m just bitter at myself for writing the review under false assumptions and now having to rewrite it to look like less of an idiot – sorry, “the Art of Discourse,” if you bear the brunt of my frustration.
“The Politics of Human Sexuality”
December 3rd, 2009
There was some discussion earlier this season surrounding ABC’s Modern Family about whether its eleventh hour moralizing (where a character, usually Jay, clearly states the episode’s theme so as to wrap everything up in a neat little package) was damaging its credibility. No one was arguing that the morals were themselves issues, but rather it was a question of whether their impact on our impressions of the characters was being limited by the repetition. Every comedy in its first season is out to define its identity and where its characters sit within that identity, but to actually draw attention to that fact in such a blatant way simply turns me off. Since that point, Modern Family has done a number of nice episodes that avoided this crutch, so the dialogue has drifted off.
What keeps me from raising the same issue with tonight’s Community, which is also about morals and what characters learn about themselves in the span of the episode, is that the show has always shown a deft hand with how it handles its more sentimental material. While Modern Family feels as if it started to end on that note regardless of an episode’s content, Community loves revelling in the fact that sometimes it’s a mature female escort who teaches you to respect women, and sometimes what makes you comfortable with your sexuality is entirely ignoring that sexuality.
I think this is an episode that wouldn’t have worked early in the season, and yet here feels like a nice bit of character work and comic execution for the folks at Greendale.
November 5th, 2009
One of the greatest qualities a comedy have is being both indulgent and nuanced at the same time, a task that Community has taken on with varied degrees of success in its first season. There are times when something like Abed’s love of pop culture references feels forced, but then there is something as hilarious as BatAbed (which is nuanced in the sense that it is both unquestionably funny and is worked into the plot of the episode) and it’s largely forgiven. That’s an important quality for a successful comedy, and what’s interesting with Community is how it seems like nearly every character is on that tightrope between becoming insular and one-minded before eventually breaking free and showing a more complex side.
“Home Economics” has nearly every character approaching the precipice of one-dimensionality, but the twists and turns within each story either perfectly service the nuances of their characters or, just as effectively, stick to what they’re best with. While Jeff went through a transformation in the episode that smartly humbled the character, Annie had a chance to experience a similar transformation and was unable to walk over the edge (of self-actualization – the edge of crazy was easily overcome). In both instances, elements of the storylines seemed like indulgences (of Joel McHale playing a complete slob, of Alison Brie playing a crazy person), and the supporting characters largely operated in their most base modes, but yet it managed to shed light on their characters even with that sense that this was more fun than it was functional.
While I’m not quite sure if Pierce has been getting the same treatment, even his subplot seemed to hit just as hard when it needed to, demonstrating that the show is definitely back in the pocket, so to speak.
“Introduction to Film”
October 1st, 2009
I feel a little bit awkward writing a review of “Introduction to Film,” as if I should be out impulsively making out with someone or climbing a tree or telling 10 people I love them. The week’s class, considered a bird course and a chance at an easy grade, is all about “carpe diem,” with a professor straight out of Dead Poet’s Society and the kind of class that seems like the ideal fit for this cast of characters in that it is in fact that most awkward fit imaginable.
It’s an episode that, like the class in question, lulls us into a false sense of awareness, making us believe the episode is about one thing when in fact it’s about something else entirely. It does it in a really subtle way, like a sneeze that just keeps threatening to arrive but doesn’t, as the show demonstrates a mastery over the sneeze that one did not expect.
All in all, it’s a simultaneously funny and kind of heartbreaking episode that continues to show some really great tones to the show’s brand of humour.
September 17th, 2009
While I understand the logic behind putting the Community behind The Office for its first month or so, I will say this: for now, sound logic or no, it’s not doing the show any favours.
Yes, the show has a strong lead-in and a higher success rate in terms of ratings, which are financially speaking the lifeblood of a series. However, Community’s “Pilot,” which is about as cookie cutter as it comes in terms of the way it sets up the show (you can almost see the show yelling “Setting!” and “Character” with its collection of scenarios), cannot help but seem contrived and simplistic when placed against The Office, which now in its sixth season is totally confident about who its characters are and has no such awkward transitions. I’m not suggesting that it’s a fair comparison, but it’s one that you can’t help but make: after writing reviews of two season premieres for shows that have put their setup days behind them, Community is jarringly disassembled.
I think that the show’s pilot, ultimately, does assemble into a solid foundation for a series, and through a strong sense of humour and some great casting has me extremely interested to keep watching. However, as a pilot, there is something about it that lacks that element of surprise, and which is vague on specifics in a way which makes one worry if it’s all going to fall off the rails with time – critics who’ve seen second episode say it doesn’t, which is great news, but I still think that there’s some warning signs around.