Tag Archives: Abed

Community – “Critical Film Studies”

“Critical Film Studies”

March 24th, 2011

As Jeff Winger finds himself reenacting My Dinner with Andre with his friend Abed, who it seems has transformed himself overnight in a bid to relate better with society, he has a fairly violent reaction during the moment of realization. Jeff is responding to the idea that he feels as though he has been subjected to an experiment, that what he thought was an honest conversation was in fact an elaborate roleplaying exercise.

I have to presume that I’m not the only Community viewer who sometimes feels like Jeff Winger. This is not to say that Community has ever outright pissed me off with its obsession with pop culture, but there are moments when I feel that I’m witnessing an elaborate experiment more than I’m watching a television show.

“Critical Film Studies,” however, is much more philosophical in its experimentation: rather than mucking around with reality or narrative form, or testing how far they can take a pop cultural framework, the episode forces us to question the very nature of Abed as a character. While the episode is unquestionably positioned as an homage in the beginning, it puts at least those who haven’t seen My Dinner with Andre in Jeff’s shoes and forces us to question whether or not the person sitting across the table is really who we think it is.

And while the episode has its moments of overindulgence, and the B-Story never quite reached a point of cohesion, the end result of the experiment was resonant enough to make feeling like a guinea pig worthwhile.

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Community – “Custody Law and Eastern European Diplomacy”

“Custody Law and Eastern European Diplomacy”

March 17th, 2011

Earlier today, Community was renewed for a third season. And during tonight’s episode, critic (and friend of the blog) Jaime Weinman tweeted the following: “maybe now that Community is safe I can enjoy watching it w/o feeling guilty about not loving it.”

While I like the show more than Jaime, I’ll admit that various circumstances have conspired to make me less of a fan than many others. Part of this is a busy Thursday schedule which largely keeps me from writing about the show, which means that it’s often the next day before I get a chance to watch. However, I think it’s also a sense that the show has been somewhat hard to pin down this year, consistently raising questions (like “The Problem of Pierce,” discussed in numerous locales over the past month or so) in a way that I think is very interesting but has threatened to keep me at arm’s length.

In some ways, I had the opposite response as Jaime: was it possible that I was resisting the urge to be more critical of the show because of its uncertain future? Perhaps its renewal would awaken underlying frustrations that had been suppressed in solidarity, revealing that my general appreciation for the show was being challenged by growing concerns over its direction.

It’s certainly a possibility, but I don’t think “Custody Law and Eastern European Diplomacy” is the episode to test the theory. A simple, effective half-hour of television, this week’s episode of Community sticks to the basics and forms a perfect release for those fans no longer fretting about being on the bubble: it’s sharp, it’s charming, and it’s light on Pierce.

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Community – “Early 21st Century Romanticism”

“Early 21st Century Romanticism”

February 10th, 2011

Because of my busy Thursdays, Community has fallen out of the review rotation without falling out of the viewing rotation.

This is, in many ways, unfortunate. I still enjoy the show, and I think the show is doing things that demand critical analysis, but I’ve had to leave it to Todd, Alan, and everyone else taking a look at the show week by week.

This week, though, I had the benefit of a screener, which is why I was sad to see that “Early 21st Century Romanticism” was…well, it was a little on the straightforward side. This is not to say the episode is bad, but rather it is very blatant about what it is trying to accomplish, and I don’t know if that simplicity necessarily worked in all instances. It does, however, raise questions about to what degree this series can claim to feature consistent character development, and whether or not we buy the various character beats which punctuate this Valentine’s Day-themed episode.

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Community – “Abed’s Uncontrollable Christmas”

“Abed’s Uncontrollable Christmas”

December 9th, 2010

As if Community weren’t meta enough, my immediate response to “Abed’s Uncontrollable Christmas” was a desire to sit Dan Harmon down in a study room and journey into his mind in search of the meaning of Community.

I say this not because the episode undermined or threatened pre-existing notions of the series, but after the episode I wasn’t sure if what I’d seen was the very embodiment of the series’ general approach to comedy or something completely unique. Because it looked decidedly unique, I first leaned towards the latter category, but then it was put into context with the sense of generic parody that Daniel T. Walters wrote about this week, and even Abed’s general trend of seeing the world through pop culture that friend of the blog Cory Barker wrote about on his publicly-available term paper.

The episode was lovingly crafted, comically inspired, and willing to delve into some darker emotional territory, but I ended up feeling that this ended up in a liminal space between what Community wants to be and what I often fear it will become. It was sort of like I was Ebenezer Scrooge, and the episode manifested as ghosts of Community Past, Present and Future all at once.

And I don’t know whether to be extremely excited or mildly concerned.

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Cultural Catchup-Lite: Parenthood, Doctor Who, Community

Cultural Catchup-Lite: Parenthood, Doctor Who, Community

November 28th, 2010

While I had quite a bit of grading to do over this holiday weekend, my lack of family commitments (being Canadian, and all) meant that the holiday was also a chance to catch up on various things related more to the blog.

First, I’ve finally created a link to my Master’s thesis, which has been “available” via PDF for a while now on Acadia’s library website. Perhaps I just wanted to create some distance between the project and my new endeavor south of the border, but I have been remiss in adding the link to the “About” page. In short form, the thesis is an investigation of national identity in fictional representations of the Canadian small town, with chapters on Canadian television series Corner Gas and Little Mosque on the Prairie. You can find the Abstract for the thesis on this page, while you can directly download the PDF here. Also, if you’re new and never visit my “About” page, my undergrad thesis on medieval Romance and Battlestar Galactica is available here if you are so inclined.

Second, I got to some of my viewing backlog, which means I’ve got some brief thoughts about some of those series. While you’ve already read my thoughts on the conclusion of Angel’s second season, I wanted to offer a few thoughts on the second season of Parenthood, Doctor Who’s “The Girl in the Fireplace,” the third and fourth episodes of The Walking Dead, as well as the first season of FX’s Archer.

I also asked my Twitter followers what else they might want to hear more about, and so will dutifully comment on Community (although in less detail, for the sake of my productivity); I’ll be saving thoughts on Fringe’s third season (which has been really good, and structurally fascinating) and Terriers’ first season for later (and by later I mean Wednesday in the case of Terriers, as I’ve seen the finale and will be writing about it and the season at that time).

Similarly, I will probably keep the Walking Dead thoughts for a brief review of tonight’s episode (which I have not seen yet), and might wait to review Archer S1 when the DVD hits on December 28th (I was watching on Netflix); however, thoughts on Parenthood, “The Girl in the Fireplace,” and Community after the jump.

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Season Finale: Community – “Pascal’s Triangle Revisited”

“Pascal’s Triangle Revisited”

May 20th, 2010

Last week felt like a finale, or at least how I had anticipated a Community finale to feel like. It felt like it solidified the group dynamics, offering evidence that the show has grown a great deal over the past season. It was a confident statement on which to head into a second season, emphasizing the dynamics that we’ve enjoyed thus far and would continue to enjoy into the future.

“Pascal’s Triangle Revisited” also feels like a finale, but I’m not entirely convinced it felt like what I anticipated a Community finale to feel like, or even what I want a Community finale to feel like. Throwing the group dynamics out the window, and focusing a lot of its time on supporting characters who aren’t part of the core group, the episode places the group’s future in chaos and delivers a traditional “shake up the status quo” finale that doesn’t feel like it reaches any of the series heights.

Instead, it feels like Dan Harmon and company have taken a small network note and delivered a slightly exaggerated, but never quite subverted, take on what you would traditionally expect from a sitcom finale. I don’t necessarily think that the events which transpire are bad, and I had a few good laughs in the episode, but the show I love was purposefully placed into peril, and I don’t really think that it resulted in a particularly great half-hour of comedy even if I respect the show for some of the choices it eventually made.

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Community – “English as a Second Language”

“English as a Second Language”

May 13th, 2010

A week after Community’s most “epic” episode yet, it’s a bit jarring to return to a low-key episode about Spanish class and study groups. However, after a bit of a re-entry period, “English as a Second Language” nicely falls into a rhythm that fits with the show at the end of its first season. The central premise of the show means that they might not be in Spanish class next year, which raises some logical questions about how the show will work if they’re not all in the same class with an excuse to see one another every day.

Frankly, I think Community could have gotten away with keeping them in Spanish class forever and just not caring, but the show isn’t going to settle for that sort of laziness. Instead, they throw the entire group into chaos over the pending changes, and eventually come to a conclusion which speaks to the ways in which the group dynamic is changing and (more importantly) a glimpse at what the show will look like in the future.

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Community – “Modern Warfare”

“Modern Warfare”

May 6th, 2010

This episode is a triumph, so let me first make a note regarding its tremendous (or, if you prefer for me to actually complete the reference completely, huge) success – the various action movie parodies which run throughout “Modern Warfare” are expertly designed, tremendously directed by Justin Lin, and result in a really funny and successful episode.

However, I am sort of at a loss about what to really say about it, if only because I haven’t seen a lot of the action movies that the show parodied, and the brekaway narrative used by the episode (and most action movies) meant that the number of characters onscreen diminished as the episode went on. While the episode embodied the show’s propensity for pop culture references and for its meta-subversion of sitcom stereotypes, it also disrupted (as we saw in “Contempoary American Poultry”) the show’s traditional character dynamics. With only twenty minutes, the show rushed head first into the central dynamic between Jeff and Britta while largely “writing off” the other characters, which helped get to the various cliches the episode wanted to address but which kept me (who, as with the Goodfellas parody, was sort of left on the outside here) at arm’s length.

It still really freaking cool from my vantage point, but it wasn’t so much a high water mark for the show so much as it was an important test for the series’ future that it passed with flying colours.

Which were, you know, paint balls.

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Community – “The Art of Discourse”

“The Art of Discourse”

April 29th, 2010

Episodes of Community have been airing out of order for a while, so once I heard a moment in “The Art of Discourse” where Vaughn was mentioned I presumed that it wasn’t in chronological order. Turns out, contrary to the original review written under this false assumption (it was Annie and not Britta that it made mention of, it was in fact in order: however, my confusion still makes me wonder about whether it really matters where this episode was placed

Regardless of whether it was out of order, the episode works: there were some funny moments, and while the episode seemed like it gave into the show’s gimmicks a bit more heavily than others there remained a clear sense of purpose and character within the story. My confusion was likely the result of some strange “early group dynamic” material about why precisely characters like Shirley and Pierce are part of this group; placed at this late point in the season, it seemed a little bit unnecessary, and while the episode ends up being funny enough to survive it doesn’t quite feel as evolved as some of the more recent material.

Or maybe I’m just bitter at myself for writing the review under false assumptions and now having to rewrite it to look like less of an idiot – sorry, “the Art of Discourse,” if you bear the brunt of my frustration.

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Community – “Contemporary American Poultry”

“Contemporary American Poultry”

April 22nd, 2010

Pop culture references are something that Community tends to lean towards on a regular basis, especially when you consider that one of the show’s characters (Abed) is largely built around them. It’s a part of the show which usually flies by at its breakneck space, references dropping in to make us laugh for a moment and then moving onto whatever storyline the show is investigating.

“Contemporary American Poultry” is the first time the show has done an extended homage to popular culture, and I feel like I’m trapped between objectivity and subjectivity. On the one hand, I have never seen the movie that the episode extensively pays homage to, which means that I can offer my opinion of how the episode worked independent of Goodfellas and the connections therein; however, on the other hand, I really like chicken fingers, and so I spent the entire episode salivating.

However, I ended up salivating through laughter, so I think that’s a good sign.

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