“Critical Film Studies”
March 24th, 2011
As Jeff Winger finds himself reenacting My Dinner with Andre with his friend Abed, who it seems has transformed himself overnight in a bid to relate better with society, he has a fairly violent reaction during the moment of realization. Jeff is responding to the idea that he feels as though he has been subjected to an experiment, that what he thought was an honest conversation was in fact an elaborate roleplaying exercise.
I have to presume that I’m not the only Community viewer who sometimes feels like Jeff Winger. This is not to say that Community has ever outright pissed me off with its obsession with pop culture, but there are moments when I feel that I’m witnessing an elaborate experiment more than I’m watching a television show.
“Critical Film Studies,” however, is much more philosophical in its experimentation: rather than mucking around with reality or narrative form, or testing how far they can take a pop cultural framework, the episode forces us to question the very nature of Abed as a character. While the episode is unquestionably positioned as an homage in the beginning, it puts at least those who haven’t seen My Dinner with Andre in Jeff’s shoes and forces us to question whether or not the person sitting across the table is really who we think it is.
And while the episode has its moments of overindulgence, and the B-Story never quite reached a point of cohesion, the end result of the experiment was resonant enough to make feeling like a guinea pig worthwhile.
October 25th, 2009
When “Dirty Harry” begins, the problems start before the episode even does. After the exciting finale to “Dex Takes a Holiday,” which was a strong episode which really connected with the qualities that make the show work and which ended on that cliffhanger of Deb and Lundy bleeding on the pavement, things seemed exciting in a way that the show was struggling with early on.
However, the lengthy “Previously on Dexter” sequence reminded us that the things that made that episode great were an exclusion (of Rita and the kids) and a shock (that won’t be recreated in the next episode), which means that “Dirty Harry” is immediately handicapped. And while there are some stories that seem legitimately compelling, those seem to be at a standstill while the “drama” comes from conflicts that are either entirely uninteresting or which feel like the sort of simple “Dexter meets Suburbia” type stories the show has been dealing with this season.
It proves once and for all that Dexter is a series best watched in extended bursts on DVD, because the hype is going to create expectations that this season isn’t able to live up to.
“Goodbye, My Friend”
March 5th, 2009
Holy flashback, Harry Henderson.
There’s a whole lot of familiarity in “Goodbye, My Friend,” an episode that cribs quite liberally from last season’s “Succession” and this season’s premiere, and it’s not all bad. I liked both of those episodes, and after spending a lot of time on relationships we get a far more individual-driven hour that pairs off some characters that we’ve never seen together while even reintroducing some characters back into the fold however briefly (Hi, Josh! Bye, Josh!).
The episode didn’t really break any ground in Liz Lemon’s fight for a child, but I can’t resist sad and pathetic Liz; similarly, I don’t think that Frank’s brief foray into respectable life is going to change his character, but I just can’t resist Jack Donaghy on a mission to rescue someone from their sad middle class existence. Combine with a Jenna/Tracy subplot that might as well have been ripped out of the show’s second season, and you have either a sure sign that the show is fundamentally bankrupt, or a sick sense that Tina Fey knows the show can rip off itself and still entertain us, just like Harry and the Hendersons ripped off Shane.
Well, Tina, you got me – I had a lot of fun with this one, self-plaigarism be damned.