“Critical Film Studies”
March 24th, 2011
As Jeff Winger finds himself reenacting My Dinner with Andre with his friend Abed, who it seems has transformed himself overnight in a bid to relate better with society, he has a fairly violent reaction during the moment of realization. Jeff is responding to the idea that he feels as though he has been subjected to an experiment, that what he thought was an honest conversation was in fact an elaborate roleplaying exercise.
I have to presume that I’m not the only Community viewer who sometimes feels like Jeff Winger. This is not to say that Community has ever outright pissed me off with its obsession with pop culture, but there are moments when I feel that I’m witnessing an elaborate experiment more than I’m watching a television show.
“Critical Film Studies,” however, is much more philosophical in its experimentation: rather than mucking around with reality or narrative form, or testing how far they can take a pop cultural framework, the episode forces us to question the very nature of Abed as a character. While the episode is unquestionably positioned as an homage in the beginning, it puts at least those who haven’t seen My Dinner with Andre in Jeff’s shoes and forces us to question whether or not the person sitting across the table is really who we think it is.
And while the episode has its moments of overindulgence, and the B-Story never quite reached a point of cohesion, the end result of the experiment was resonant enough to make feeling like a guinea pig worthwhile.
September 23rd, 2010
In the interest of complete disclosure, I do not know if I was exactly “excited” for Community to begin its second season.
Mind you, I do think that if I had gotten a screener, I probably would have immediately popped it into my DVD player and consumed it. However, I feel as if I would have done so because I was expected to, not necessarily because I wanted to. This does not show a dislike or even a disinterest with the series, but rather the fact that Community’s first season was something I enjoyed, not something that I truly loved. The show is unquestionably funny, and there are individual episodes, moments, and characters that really stuck with me (and continue to make me laugh), but there was also something about the show which kept me at a distance.
When I would sit down to review the show, I would find myself in a self-aware state where I was writing to service the fan culture surrounding the series instead of actually writing what I was observing – this was no clearer than in “Contemporary American Poultry,” which I think is a brilliant piece of writing but which I did not “get” to the degree that others have thanks to my lack of experience with the source material. I am not one of those who is turned off by the level of pop cultural humour in the series, but I do think that its presence is part of why approaching the series critically has been somewhat of a challenge.
This is a long opening spiel to lead up to the fact that “Anthropology 101” was a cleverly organized premiere which successfully paid off the more traditional dramatic conflict created by last season’s (honestly unsatisfying) finale while indulging (or, perhaps more accurately, engaging) with the series’ signature referentiality, successfully kick-starting a season which will be an important test for the series.