“Custody Law and Eastern European Diplomacy”
March 17th, 2011
Earlier today, Community was renewed for a third season. And during tonight’s episode, critic (and friend of the blog) Jaime Weinman tweeted the following: “maybe now that Community is safe I can enjoy watching it w/o feeling guilty about not loving it.”
While I like the show more than Jaime, I’ll admit that various circumstances have conspired to make me less of a fan than many others. Part of this is a busy Thursday schedule which largely keeps me from writing about the show, which means that it’s often the next day before I get a chance to watch. However, I think it’s also a sense that the show has been somewhat hard to pin down this year, consistently raising questions (like “The Problem of Pierce,” discussed in numerous locales over the past month or so) in a way that I think is very interesting but has threatened to keep me at arm’s length.
In some ways, I had the opposite response as Jaime: was it possible that I was resisting the urge to be more critical of the show because of its uncertain future? Perhaps its renewal would awaken underlying frustrations that had been suppressed in solidarity, revealing that my general appreciation for the show was being challenged by growing concerns over its direction.
It’s certainly a possibility, but I don’t think “Custody Law and Eastern European Diplomacy” is the episode to test the theory. A simple, effective half-hour of television, this week’s episode of Community sticks to the basics and forms a perfect release for those fans no longer fretting about being on the bubble: it’s sharp, it’s charming, and it’s light on Pierce.
“Early 21st Century Romanticism”
February 10th, 2011
Because of my busy Thursdays, Community has fallen out of the review rotation without falling out of the viewing rotation.
This is, in many ways, unfortunate. I still enjoy the show, and I think the show is doing things that demand critical analysis, but I’ve had to leave it to Todd, Alan, and everyone else taking a look at the show week by week.
This week, though, I had the benefit of a screener, which is why I was sad to see that “Early 21st Century Romanticism” was…well, it was a little on the straightforward side. This is not to say the episode is bad, but rather it is very blatant about what it is trying to accomplish, and I don’t know if that simplicity necessarily worked in all instances. It does, however, raise questions about to what degree this series can claim to feature consistent character development, and whether or not we buy the various character beats which punctuate this Valentine’s Day-themed episode.
September 23rd, 2010
In the interest of complete disclosure, I do not know if I was exactly “excited” for Community to begin its second season.
Mind you, I do think that if I had gotten a screener, I probably would have immediately popped it into my DVD player and consumed it. However, I feel as if I would have done so because I was expected to, not necessarily because I wanted to. This does not show a dislike or even a disinterest with the series, but rather the fact that Community’s first season was something I enjoyed, not something that I truly loved. The show is unquestionably funny, and there are individual episodes, moments, and characters that really stuck with me (and continue to make me laugh), but there was also something about the show which kept me at a distance.
When I would sit down to review the show, I would find myself in a self-aware state where I was writing to service the fan culture surrounding the series instead of actually writing what I was observing – this was no clearer than in “Contemporary American Poultry,” which I think is a brilliant piece of writing but which I did not “get” to the degree that others have thanks to my lack of experience with the source material. I am not one of those who is turned off by the level of pop cultural humour in the series, but I do think that its presence is part of why approaching the series critically has been somewhat of a challenge.
This is a long opening spiel to lead up to the fact that “Anthropology 101” was a cleverly organized premiere which successfully paid off the more traditional dramatic conflict created by last season’s (honestly unsatisfying) finale while indulging (or, perhaps more accurately, engaging) with the series’ signature referentiality, successfully kick-starting a season which will be an important test for the series.
“Pascal’s Triangle Revisited”
May 20th, 2010
Last week felt like a finale, or at least how I had anticipated a Community finale to feel like. It felt like it solidified the group dynamics, offering evidence that the show has grown a great deal over the past season. It was a confident statement on which to head into a second season, emphasizing the dynamics that we’ve enjoyed thus far and would continue to enjoy into the future.
“Pascal’s Triangle Revisited” also feels like a finale, but I’m not entirely convinced it felt like what I anticipated a Community finale to feel like, or even what I want a Community finale to feel like. Throwing the group dynamics out the window, and focusing a lot of its time on supporting characters who aren’t part of the core group, the episode places the group’s future in chaos and delivers a traditional “shake up the status quo” finale that doesn’t feel like it reaches any of the series heights.
Instead, it feels like Dan Harmon and company have taken a small network note and delivered a slightly exaggerated, but never quite subverted, take on what you would traditionally expect from a sitcom finale. I don’t necessarily think that the events which transpire are bad, and I had a few good laughs in the episode, but the show I love was purposefully placed into peril, and I don’t really think that it resulted in a particularly great half-hour of comedy even if I respect the show for some of the choices it eventually made.
“English as a Second Language”
May 13th, 2010
A week after Community’s most “epic” episode yet, it’s a bit jarring to return to a low-key episode about Spanish class and study groups. However, after a bit of a re-entry period, “English as a Second Language” nicely falls into a rhythm that fits with the show at the end of its first season. The central premise of the show means that they might not be in Spanish class next year, which raises some logical questions about how the show will work if they’re not all in the same class with an excuse to see one another every day.
Frankly, I think Community could have gotten away with keeping them in Spanish class forever and just not caring, but the show isn’t going to settle for that sort of laziness. Instead, they throw the entire group into chaos over the pending changes, and eventually come to a conclusion which speaks to the ways in which the group dynamic is changing and (more importantly) a glimpse at what the show will look like in the future.
May 6th, 2010
This episode is a triumph, so let me first make a note regarding its tremendous (or, if you prefer for me to actually complete the reference completely, huge) success – the various action movie parodies which run throughout “Modern Warfare” are expertly designed, tremendously directed by Justin Lin, and result in a really funny and successful episode.
However, I am sort of at a loss about what to really say about it, if only because I haven’t seen a lot of the action movies that the show parodied, and the brekaway narrative used by the episode (and most action movies) meant that the number of characters onscreen diminished as the episode went on. While the episode embodied the show’s propensity for pop culture references and for its meta-subversion of sitcom stereotypes, it also disrupted (as we saw in “Contempoary American Poultry”) the show’s traditional character dynamics. With only twenty minutes, the show rushed head first into the central dynamic between Jeff and Britta while largely “writing off” the other characters, which helped get to the various cliches the episode wanted to address but which kept me (who, as with the Goodfellas parody, was sort of left on the outside here) at arm’s length.
It still really freaking cool from my vantage point, but it wasn’t so much a high water mark for the show so much as it was an important test for the series’ future that it passed with flying colours.
Which were, you know, paint balls.
“The Art of Discourse”
April 29th, 2010
Episodes of Community have been airing out of order for a while, so once I heard a moment in “The Art of Discourse” where Vaughn was mentioned I presumed that it wasn’t in chronological order. Turns out, contrary to the original review written under this false assumption (it was Annie and not Britta that it made mention of, it was in fact in order: however, my confusion still makes me wonder about whether it really matters where this episode was placed
Regardless of whether it was out of order, the episode works: there were some funny moments, and while the episode seemed like it gave into the show’s gimmicks a bit more heavily than others there remained a clear sense of purpose and character within the story. My confusion was likely the result of some strange “early group dynamic” material about why precisely characters like Shirley and Pierce are part of this group; placed at this late point in the season, it seemed a little bit unnecessary, and while the episode ends up being funny enough to survive it doesn’t quite feel as evolved as some of the more recent material.
Or maybe I’m just bitter at myself for writing the review under false assumptions and now having to rewrite it to look like less of an idiot – sorry, “the Art of Discourse,” if you bear the brunt of my frustration.
March 18th, 2010
My lack of knowledge about the Community College system is something that Community takes advantage of quite often: I don’t know if they’re being accurate, but it’s clear that the show isn’t concerned about it. The show wanted to do an episode about “blowoff” classes, and it wanted one of those stories to be about a sailing class being held in a parking lot, so who are we to stop it?
At this point, the cast is gelling enough that just about any story is going to work so long as it doesn’t force the characters too far into a particular mould. “Beginner Pottery” isn’t one of the show’s best efforts from a conceptual standpoint, but its stories are full of either some fun running gags or some strong one-liners that make this a really enjoyable half-hour of television.
February 11th, 2010
There’s a scene early in “Communication Studies” where Jeff is asking Michelle about her Valentine’s Day expectations. What he wants to know is whether he has to change anything to make the day more special, whether there is something he can do (flowers, chocolates, etc.) to better fit her expectations. However, she says she wants things to remain the same, even though we later learn that she would like some small changes (like Jeff being willing to pick up ice cream before Law & Order nights).
In this metaphor, Jeff is the show’s writers, Michelle is the audience, and their relationship is Community. Like Michelle, as an audience member, I don’t want the show to change in any major way to improve upon itself, as I quite like the show it has become, and it certainly doesn’t have to go out of its way to be quite clever with its attention to Valentine’s Day (the Cupid Being was more than enough). However, this doesn’t mean there isn’t room for improvement, even if “Communication Studies” ended up pretty satisfying.