May 5, 2011 · 8:02 pm
“A Fistful of Paintballs”
May 5th, 2011
“That was a game. This is paintball.”
“A Fistful of Paintballs” is unquestionably a sequel to “Modern Warfare,” but I’d argue that it’s a fundamentally different episode on some level.
It follows the same basic principle from a story perspective: the school’s descent into paintball-related madness brings out some of the pre-existing relationships between the characters, specifically focused on Britta and Jeff’s consummation of their ongoing sexual tension. However, in terms of the actual methodology of the episode, it was a fairly extensive collection of pop culture references which only occasionally connected with the show’s overall mythology.
Now that the show is ending its second season, “A Fistful of Paintballs” is much more interconnected with ongoing storylines, building much of its structure around the season’s central conflict. While I have had my issues with how Pierce has been portrayed this season, believing that the character’s unpleasantness has not been funny enough to justify its omnipresent nature, this episode is much stronger in its use of the power structures within the latest paintball-based warzone to draw out ongoing character relationships.
With a more straightforward pop culture reference point paired with a more complex serialized component, “A Fistful of Paintballs” is the logical maturation of the “Modern Warfare”-template and a strong first half of what feels like a suitably strong finale.
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Filed under Community
Tagged as A Fistful of Paintballs, Ace of Hearts, Alison Brie, Annie, Dan Harmon, Episode 23, Fort Hawthorne, Jeff, Josh Holloway, Modern Warfare, NBC, Paintball, Part One, Pierce, Pistol Patty, Season 2, Season Finale, The Black Rider, Western
December 16, 2010 · 11:00 am
Aired: May 6th, 2010
[Cultural Learnings’ Top 10 Episodes of 2010 are in no particular order, and are purely subjective – for more information, and the complete list as it goes up, click here.]
I liked episodes of Community more than I liked “Modern Warfare.”
When I first watched the episode it couldn’t live up to the mountain of hype, and my general lack of emotional connection with the specific films being referenced meant that I didn’t have the same thrill that others might have found in the episode. I enjoyed it, as I’ve enjoyed most if not all of Community’s first and second seasons, but the episode was not as life-changing as it seemed to be for others.
And yet there was no single episode of Community more important than “Modern Warfare” this year. It was evidence that this was a world which could sustain these flights of fancy, that Greendale could become a paintball battleground without losing that which made the show tenable. It was indulgent and self-reflexive without being reflexively self-indulgent, never stepping back from the parody and yet never allowing that parody to swallow or bastardize the character arcs caught up in this conflict.
The show achieved higher highs, and perhaps even took greater risks as the year went on, but I feel pretty confident that none of it would have worked as well were it not for the confidence and goodwill gained from the day that Greendale went to war.
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Filed under 10 of '10
Tagged as 2010, Best Episodes, Community, Dan Harmon, Justin Lin, List, Modern Warfare, NBC, Paintball, Season 1, Television, TV
June 5, 2010 · 2:36 am
Official Ballot Miscellany
June 4th, 2010
Earlier this evening, Emmy voting officially began; this isn’t particularly important to us non-voters, but it does mean that the official ballots were released (PDFs: Performers, Writing, Directing), which means that we know who submitted their names for Emmy contention and can thus make our predictions accordingly. In some cases, this simply confirms our earlier submissions regarding particularly categories, while in other cases it throws our expectations for a loop as frontrunners or contenders don’t end up submitting at all.
For example, Cherry Jones (who last year won for her work on 24) chose not to submit her name for contention this year, a decision which seems somewhat bizarre and is currently being speculatively explained by her unhappiness with her character’s direction in the show’s final season. It completely changes the anatomy of that race, removing a potential frontrunner and clearing the way for some new contenders (or, perhaps, another actress from Grey’s Anatomy). Either way, it’s a real shakeup, so it makes this period particularly interesting.
I will speak a bit about some surprising omissions and inclusions in the categories I’ve already covered this week, but I want to focus on the categories that I haven’t discussed yet, including the guest acting categories, writing, and direction, which are some interesting races this year.
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Filed under Emmy Awards
Tagged as 2010, 24, 30 Rock, Alan Cumming, Allison Janney, Amy Poehler, Andre Braugher, Ballot, Betty White, Breaking Bad, Carlton Cuse, Cherry Jones, Christine Baranski, Comedy, Community, Conan O'Brien, Cougar Town, Curb Your Enthusiasm, Damages, Damon Lindelof, Dexter, Directing, Drama, Elaine Stritch, Elizabeth Banks, Elizabeth Mitchell, Emmys, Friday Night Lights, Glee, Guest Actor, Guest Actress, Henry Ian Cusick, How I Met Your Mother, Jack Bender, Jared Harris, Jason Alexander, Jason Winer, John Lithgow, Jon Hamm, Julianne Moore, Justin Lin, Kristin Chenoweth, Lily Tomlin, Lost, Mad Men, Martha Plimpton, Matt Damon, Megan Mullally, Men of a Certain Age, Michael Sheen, Modern Family, Modern Warfare, Neil Patrick Harris, Nominees, Nurse Jackie, Pamela Fryman, Rian Johnson, Ryan Murphy, Saturday Night Live, Shelley Long, Sons of Anarchy, Submissions, Television, The End, The Good Wife, The Office, The Pacific, Tina Fey, Titus Welliver, Treme, TV, United States of Tara, Viola Davis, Wheels, Writing, Zach Gilford
May 7, 2010 · 1:34 am
May 6th, 2010
This episode is a triumph, so let me first make a note regarding its tremendous (or, if you prefer for me to actually complete the reference completely, huge) success – the various action movie parodies which run throughout “Modern Warfare” are expertly designed, tremendously directed by Justin Lin, and result in a really funny and successful episode.
However, I am sort of at a loss about what to really say about it, if only because I haven’t seen a lot of the action movies that the show parodied, and the brekaway narrative used by the episode (and most action movies) meant that the number of characters onscreen diminished as the episode went on. While the episode embodied the show’s propensity for pop culture references and for its meta-subversion of sitcom stereotypes, it also disrupted (as we saw in “Contempoary American Poultry”) the show’s traditional character dynamics. With only twenty minutes, the show rushed head first into the central dynamic between Jeff and Britta while largely “writing off” the other characters, which helped get to the various cliches the episode wanted to address but which kept me (who, as with the Goodfellas parody, was sort of left on the outside here) at arm’s length.
It still really freaking cool from my vantage point, but it wasn’t so much a high water mark for the show so much as it was an important test for the series’ future that it passed with flying colours.
Which were, you know, paint balls.
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Filed under Community
Tagged as Abed, Action Movies, Analysis, Annie, Britta, Chess Club, Cliche, Dean Pelton, Die Hard, Episode 22, First Aid, Glee Club, Jeff, Justin Lin, Modern Warfare, NBC, Paintball, Pierce, Review, Season 1, Senor Chang, Shirley, Starburns, TBD, Television, Terminator, The Matrix, Troy, TV