June 5, 2010 · 2:36 am
Official Ballot Miscellany
June 4th, 2010
Earlier this evening, Emmy voting officially began; this isn’t particularly important to us non-voters, but it does mean that the official ballots were released (PDFs: Performers, Writing, Directing), which means that we know who submitted their names for Emmy contention and can thus make our predictions accordingly. In some cases, this simply confirms our earlier submissions regarding particularly categories, while in other cases it throws our expectations for a loop as frontrunners or contenders don’t end up submitting at all.
For example, Cherry Jones (who last year won for her work on 24) chose not to submit her name for contention this year, a decision which seems somewhat bizarre and is currently being speculatively explained by her unhappiness with her character’s direction in the show’s final season. It completely changes the anatomy of that race, removing a potential frontrunner and clearing the way for some new contenders (or, perhaps, another actress from Grey’s Anatomy). Either way, it’s a real shakeup, so it makes this period particularly interesting.
I will speak a bit about some surprising omissions and inclusions in the categories I’ve already covered this week, but I want to focus on the categories that I haven’t discussed yet, including the guest acting categories, writing, and direction, which are some interesting races this year.
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Filed under Emmy Awards
Tagged as 2010, 24, 30 Rock, Alan Cumming, Allison Janney, Amy Poehler, Andre Braugher, Ballot, Betty White, Breaking Bad, Carlton Cuse, Cherry Jones, Christine Baranski, Comedy, Community, Conan O'Brien, Cougar Town, Curb Your Enthusiasm, Damages, Damon Lindelof, Dexter, Directing, Drama, Elaine Stritch, Elizabeth Banks, Elizabeth Mitchell, Emmys, Friday Night Lights, Glee, Guest Actor, Guest Actress, Henry Ian Cusick, How I Met Your Mother, Jack Bender, Jared Harris, Jason Alexander, Jason Winer, John Lithgow, Jon Hamm, Julianne Moore, Justin Lin, Kristin Chenoweth, Lily Tomlin, Lost, Mad Men, Martha Plimpton, Matt Damon, Megan Mullally, Men of a Certain Age, Michael Sheen, Modern Family, Modern Warfare, Neil Patrick Harris, Nominees, Nurse Jackie, Pamela Fryman, Rian Johnson, Ryan Murphy, Saturday Night Live, Shelley Long, Sons of Anarchy, Submissions, Television, The End, The Good Wife, The Office, The Pacific, Tina Fey, Titus Welliver, Treme, TV, United States of Tara, Viola Davis, Wheels, Writing, Zach Gilford
May 21, 2010 · 3:00 am
“I Do Do”
May 20th, 2010
I haven’t written about 30 Rock in a very long time, so you’d think I’d have a lot to say: after all, “I Do Do” actually had a “Previously on 30 Rock” sequence, which is rare on a show that is usually so off-the-wall that it doesn’t need to worry so much about continuity.
However, this was an aggressively plot-heavy conclusion for the series, so it makes sense that we might need a refresher on why Liz is going to three weddings, and why she would go anywhere with Wesley Snipes, and how smart the show was to have Jack dating two celebrity guest stars so that you really don’t know who he’s going to pick. This being said, however, “I Do Do” isn’t really plot-heavy at all – rather, it just sort of revels in the situation that has already been created, introducing new elements and providing conclusions that do a pretty good job of boiling it down to characters.
There are jokes, and there are plots, but even with some fairly ridiculous star power there is no point in time where all of it overwhelms the ways in which the episode plays out as a story about Jack, Liz and Kenneth, which makes it a successful conclusion to both these storylines and the season as a whole.
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Tagged as Alec Baldwin, Analysis, Avery Jessup, Carol, Cher, Comedy, Elizabeth Banks, Episode 22, Finale, Floyd, Jack McBrayer, Jenna Maroney, Julianne Moore, Kenneth, Matt Damon, Michael Sheen, MOO, Nancy Donovan, Paul, Pete, Pilot, Pregnancy, Review, Season 4, Season Finale, Sky Law, Television, TGS, Tina Fey, TV, Wedding, Wesley Snipes, Will Forte
March 19, 2010 · 12:42 am
“Don Geiss, America and Hope”
March 18th, 2010
I don’t think that “Don Geiss, America and Hope” was a particularly strong 30 Rock episode, but I do think that it was a particularly interesting one. You see, the show displayed three different storytelling methods that it does quite often, each shows both the strengths and weaknesses of the show’s current story model. You have your industry parody (the Comcast buyout of NBC becoming the Kabletown buyout of NBC), you have your celebrity parody (Tracy becoming embroiled in a sex scandal ala Tiger Woods), and then you have the deromanticizing of romantic comedy tropes (Liz’s non-relationship with Wesley Snipes).
In all cases, the show is running into a distinct problem: all of this has happened before, and all of it will happen again, and the show is starting to become weighed down by this fact. There’s plenty of nice one-liners, and I thought all three of the stories worked sort of well at the end of the day, but these are the same types of stories we’ve seen in the past, and when none of them feel particularly revolutionary and they all appear in the same episode, the show becomes messy more than chaotic, which does little to help the show’s consistency problems.
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Tagged as Adulteraisin, Don Geiss America and Hope, Episode 15, Fresh Ass, Hot Tub Time Machine, Jack Donaghy, Kabletown, Liz Lemon, Michael Sheen, NBC, Review, Season 4, Settling Soulmates, Television, Tiger Woods, Tina Fey, Tracy Jordan, TV, Wesley Snipes