“I Do Do”
May 20th, 2010
I haven’t written about 30 Rock in a very long time, so you’d think I’d have a lot to say: after all, “I Do Do” actually had a “Previously on 30 Rock” sequence, which is rare on a show that is usually so off-the-wall that it doesn’t need to worry so much about continuity.
However, this was an aggressively plot-heavy conclusion for the series, so it makes sense that we might need a refresher on why Liz is going to three weddings, and why she would go anywhere with Wesley Snipes, and how smart the show was to have Jack dating two celebrity guest stars so that you really don’t know who he’s going to pick. This being said, however, “I Do Do” isn’t really plot-heavy at all – rather, it just sort of revels in the situation that has already been created, introducing new elements and providing conclusions that do a pretty good job of boiling it down to characters.
There are jokes, and there are plots, but even with some fairly ridiculous star power there is no point in time where all of it overwhelms the ways in which the episode plays out as a story about Jack, Liz and Kenneth, which makes it a successful conclusion to both these storylines and the season as a whole.
April 29th, 2010
I didn’t get around to last week’s episodes of 30 Rock – there were two of them, and I wasn’t able to watch “Khonani” live, and I ultimately didn’t have much to say. The play on the Late Night situation was too straightforward, relying entirely on the “It’s Conan and Leno, but they’re Middle Eastern Janitors!” premise to handle the heavy comedic lifting, and I honestly can’t tell you right now what happened in those episodes. There just wasn’t anything to really latch onto, which is sometimes part of 30 Rock’s charm.
There was plenty, however, to latch onto in “Argus,” and I don’t necessarily mean that in a good way. This is a far more memorable episode than the two last week, but it’s memorable because it’s kind of horribly disturbing. The show never quite manages to unpack Will Forte as a drag queen who impersonates (and DATES) Jenna, so I’m sort of reluctant to say this, but I actually enjoyed the episode overall. The show did three stories which involved Liz Lemon but weren’t about Liz Lemon, allowing Tina Fey to be funny in pretty much every one of them and to sort of depict her life being overrun by the chaos around her rather than one of her own neuroses. It’s not a bad spot for the character, and combined with copious amounts of Grizz and Dot Com and Jack Donaghy talking to a peacock he believes to be carrying the spirit of Don Geiss, and you have an episode that’s too ridiculous to take seriously but too fun to forget.
Which is about what the show seems to be aiming for at its peak these days.
July 28th, 2008
If you want Mole-like behaviour, there’s an easy solution: give people goggles that display the video feed from a camera being controlled by another contestant, and then let them loose in a variety of simple tasks that are both easy to finish and, of course, easy to sabotage. That seems to be the nature of the game this time around: tasks where every second talking head is “I think that could have been Mole behaviour.”
It’s getting to the point where I really want to see everything just come to an end, because this has been an obsessive season of The Mole. Mark may be the most prominent example, but everyone seems fixated on getting exemptions, on seeing various clues, etc. The game has become a constant search for ways to cheat the game, as opposed to ways to play it: the final four challenges were both strong and unique examples, but when it’s possible for one person to just leapfrog into the Final Three? It just doesn’t feel as natural.
So as we match towards the finale, I’m glad to see that the tricks are out the window (I hope), and it’s time to settle into answering the central question and enjoying what else the show has to offer.