“I Do Do”
May 20th, 2010
I haven’t written about 30 Rock in a very long time, so you’d think I’d have a lot to say: after all, “I Do Do” actually had a “Previously on 30 Rock” sequence, which is rare on a show that is usually so off-the-wall that it doesn’t need to worry so much about continuity.
However, this was an aggressively plot-heavy conclusion for the series, so it makes sense that we might need a refresher on why Liz is going to three weddings, and why she would go anywhere with Wesley Snipes, and how smart the show was to have Jack dating two celebrity guest stars so that you really don’t know who he’s going to pick. This being said, however, “I Do Do” isn’t really plot-heavy at all – rather, it just sort of revels in the situation that has already been created, introducing new elements and providing conclusions that do a pretty good job of boiling it down to characters.
There are jokes, and there are plots, but even with some fairly ridiculous star power there is no point in time where all of it overwhelms the ways in which the episode plays out as a story about Jack, Liz and Kenneth, which makes it a successful conclusion to both these storylines and the season as a whole.
April 29th, 2010
I didn’t get around to last week’s episodes of 30 Rock – there were two of them, and I wasn’t able to watch “Khonani” live, and I ultimately didn’t have much to say. The play on the Late Night situation was too straightforward, relying entirely on the “It’s Conan and Leno, but they’re Middle Eastern Janitors!” premise to handle the heavy comedic lifting, and I honestly can’t tell you right now what happened in those episodes. There just wasn’t anything to really latch onto, which is sometimes part of 30 Rock’s charm.
There was plenty, however, to latch onto in “Argus,” and I don’t necessarily mean that in a good way. This is a far more memorable episode than the two last week, but it’s memorable because it’s kind of horribly disturbing. The show never quite manages to unpack Will Forte as a drag queen who impersonates (and DATES) Jenna, so I’m sort of reluctant to say this, but I actually enjoyed the episode overall. The show did three stories which involved Liz Lemon but weren’t about Liz Lemon, allowing Tina Fey to be funny in pretty much every one of them and to sort of depict her life being overrun by the chaos around her rather than one of her own neuroses. It’s not a bad spot for the character, and combined with copious amounts of Grizz and Dot Com and Jack Donaghy talking to a peacock he believes to be carrying the spirit of Don Geiss, and you have an episode that’s too ridiculous to take seriously but too fun to forget.
Which is about what the show seems to be aiming for at its peak these days.
March 25th, 2010
While 30 Rock is a show that rarely has a great deal of forward momentum, I always like it better when it seems like it’s taking me someplace in particular; Jenna’s best story was when she was dealing with her weight, Tracy’s best recent story was when he confronting the uncanny valley, and Liz and Jack are almost always at their best when it feels like they’re confronting something that could last a few episodes or have some sort of ramification for their future.
This does not mean that I don’t find episodes like “Floyd” funny just because 2/3 of the episode is pointless, but it does mean that I prefer the parts of the episode which feel like they have history and a future. I know it’s not typical for the show, and I know it’s not really going to last, but there’s something about Liz Lemon doing something which seems mildly important that just makes me like the show more.
“Klaus and Greta” and “Black Light Attack!”
January 14th, 2010
When you double up two episodes of 30 Rock, you get a really skewed perception of the series. In some ways, the two hours offers that many more memorable lines, so if you are judging purely based on the sheer volume of laughs chances are that two is, in fact, going to be better than one. However, at the same time, there are two separate episodes which could go wrong at a story level, and the show is not as consistent as it has been at its finest over its four seasons. (You also get the show’s lowest ratings in a very long time, since the show was running without a lead-in from The Office).
The actual content of “Klaus and Greta” and “Black Light Attack” offered a particularly intriguing double dose of comedy, as the character of Liz Lemon went through what seemed like a sudden sexual transformation while normally overtly sexual Tracy Jordan went through a personal transformation in light of his newly conceived daughter. Both episodes were actually quite consistently funny, and the double dose managed to actually feel more strange for Liz than it did for the usually one-dimensional Jenna, creating a sort of fun bizarro world as opposed to a problematic hour of comedy.
“Secret Santa” x 2
December 10th, 2009
It’s not often that two episodes airing back to back have the same title, so it’s a convenient excuse to blog 30 Rock and The Office together tonight.
Christmas is a holiday that has always been a highlight for The Office (“Christmas Party” is one of its finest hour-long episodes), but to be honest I’ve found that 30 Rock is kind of really bad at it. I don’t know what it is, but Christmas seems to be a holiday that just doesn’t work for the show, primarily because its wackiness doesn’t have that sense of heart that The Office taps into during this, the most magical time of the year.
So, accordingly, the best parts of both episodes entitled “Secret Santa” are those which feel like they’re bringing everyone together in celebration of the season’s message of hope and togetherness, and the worst parts of both episodes are those where that spirit is either ignored or crushed beneath a smothering of unpleasantness.
“Dealbreakers Talk Show #0001”
December 3rd, 2009
After writing rather lengthy analysis of the other three NBC comedies, all of which tapped into the emotional recesses of their characters in uncomfortable or telling fashions, it’s refreshing to get to 30 Rock, which tried to do absolutely none of those things.
While it wasn’t an all-time classic, “Dealbreakers Talk Show #0001” was a prime example of what happens when you just let Liz Lemon run free. The episode follows a paper thin plot, rarely taking a story to any unexpected or surprising place, but Tina Fey is so inherently in control of this character that she is able to depict Liz’s downward spiral into a Jekyll/Hyde split persona in a way that makes you laugh so hard you forget just how pointless it all is.
It becomes a series of cleverly executed sight gags at a certain point in the episode, demonstrating that even the simplest of stories (even when that story surrounds an element of the show which could be complicated) can elicit laughs within the universe Fey has created here.
November 19th, 2009
This is “Green Week” on NBC, which means that every show has some sort of environmental sustainability storyline in it. And while the shows did similar episodes a few seasons ago (The Office did its “Survivorman” parody and 30 Rock did the great “Greenzo”), it’s a well that has quite a bit of content in it, depending on how the shows wants to go about it.
While The Office (which I won’t be reviewing tonight, although I’ll probably throw some thoughts onto the end of the page) simply used it as a theme for the cold open (as it did with Halloween), 30 Rock takes a more continuous and as a result scattered approach. Giving Kenneth the task of “greening” 30 Rock felt forced, and while the episode wanted to try to make it seem subversive and clever the show has done too many similar things before.
However, continuing last week’s improvement on the season as a whole, this week had a cohesive point of view if we ignore the environmental side of things, presenting two stories that allowed for both some brilliant absurdity and actions which are driven by character rather than plot. And, just when you think that the environmental story is entirely worthless, the show spins off a few random parts of other scenes into the storyline and helps bring everything full circle in a sequence that actually is as clever as it wants it to be.
Plus, Teddy Ruxpin was a frakkin’ lawyer.