February 26th, 2009
What “Larry King” represents is an example of 30 Rock doing something that feels like it is happening less often: it takes one event, in this case a crises, and demonstrates its impact on various of the show’s characters. It reminds us that 30 Rock is operating different than most situational comedies. In fact, I’d almost argue that the show has become a carcom, or a character comedy, more than a situational one – while this one episode is built around how a scenario, an Asian stock market crash, effects all of these characters, the show has more or less abandoned its setting at TGS and finds all of its comedy in its characters. Even when the show often expands outside of this, it is with a guest star more often than it is one of these situations.
As a result, the situation is really just an excuse to force Liz Lemon out into the dangerous streets with Kenneth at her side, to place Tracy Jordan on Larry King and spouting nonsensical advice to the people of New York City, and to put Jack and Elisa’s relationship up against a crisis it might not overcome. And yet, to no one’s surprise the parts of the episode that use this situation for sheer zaniness offer the episode’s best comedy, while the one that feels the most formulaic kind of just flounders around, perhaps finally putting a worthless storyline out of its misery. For that, at least, this trip to Larry King was worth it.
“St. Valentine’s Day”
February 12th, 2009
After what I thought was a really fun little romp in “Generalissimo,” introducing us to Dr. Drew Baird (Jon Hamm) as Liz’s new love interest, the show continues to rush forward as more or less a romantic comedy. Centering around the most romantic (and commercial) of holidays, the episode investigates what happens when a relationship moves much, much too quickly, or when it is built on false pretenses, or worst of all when even McFlurries can’t keep people together.
It’s nowhere near the quality of last week, somewhat more meandering in its focus, but when it scores it scores: particularly with the amazing work of Tina Fey and Jon Hamm in creating a relationship that manages to become even more bizarre this week while at the same time actually becoming quite believable and engagingLiz agrees to a Valentine’s date. The rest of it felt more than a bit one note by comparison, a problem for the show at the best of times, but it felt connected enough to the idea of the differences between Valentine’s Day and St. Valentine’s Day.
And the dangers of moving from Date 4 to Date 20 (or date Never) too quickly.
February 5th, 2009
Bravissimo, Tina Fey and company.
With “Generalissimo,” 30 Rock has returned to what I would consider to be, at the very least, its pattern of glory. What works about this episode is not that every one of its storyline is a home run, as I am still extremely bored with Salma Hayek as an actress, but rather that everything connects. Not only do the A and B plots almost entirely intersect with one another, one informing the other, but then the C plot comes out of nowhere to play a convenient but nonetheless clever role in the conclusion.
And with comedies like these, especially ones like 30 Rock which here errs on the side of being a little zany and off the wall, connectivity is their greatest asset: this isn’t the episode where Liz Lemon got a new love interested played by Jon Hamm, or the episode where Jack Donaghy bought a telenovela starring a man who looks like him, or the episode where Tracy Jordan discovered the dangers of placing fire close to his mouth. Instead, it’s the episode where Jack purchasing a telenovela gives Liz terrible advice on dealing with her current crush which eventually is both complicated and then uncomplicated by the crazy antics as Tracy tries to prove his youth.
And that kind of episode? I want to go to there.