“Chuck vs. the Angel of Death”
January 11th, 2010
The unique two-night, three episode premiere has been a ratings success: the two hours last night scored the show’s best non-3D ratings since Season One, and while tonight will see a drop against intense competition from House, The Bachelor and How I Met Your Mother the show is still off to a good start.
However, creatively, the schedule is both blessing and curse: it allows the show to present a diverse set of circumstances rather than trying to start the show on a single episode which fails to capture the show’s wide-ranging quality, but it also means that certain thematic elements feel as if they’re being beaten into our skulls. “Chuck vs. the Angel of Death” is a spotlight episode for Ryan McPartlin and Sarah Lancaster, but it also reminds us that Sarah and Chuck’s “Will they, won’t they” relationship isn’t going away.
In the short term, the latter point may seem problematic, but the constant onstant reminders of Chuck and Sarah’s relationship would be more annoying spread out over several weeks, and right now the show isn’t being overrun by them: instead, the show is using it as a subtle complication of their working relationship, which takes a fun and adventurous story finally living up to Captain Awesome’s partial knowledge of Chuck’s vocation and having some fun with Casey (and Adam Baldwin’s history of revolution-inspired nicknames) in the process.
And so long as “fun” outweighs Chuck and Sarah’s relationship at the end of the day, the show is in great shape going forward.
Handicapping the 2009 Emmys
Lead Actor in a Comedy Series
Earlier today, as part of my catchup with The Big Bang Theory’s second season (which I’ll talk about in greater detail once I’m done), I came to the episode that Jim Parsons, nominated for Lead Actor in a Comedy Series at this year’s Emmys, has submitted for consideration. Then, sorting through some shows kicking around, I stumbled upon Alec Baldwin’s submission from 30 Rock in the same category, “Generalissimo.” Considering this crazy random happenstance, I figured it was only fitting that I sit down and rewatch “Broke,” Steve Carell’s submission for his work on The Office, in order to complete the trifecta.
Yes, there are six nominees in this category, but realistically the only three that have a chance are the ones listed above. The only two acting races where I would say there are three or less potential candidates are both comedy lead categories, as a combination of tape quality and prevailing opinion will shut out the other three nominees (Charlie Sheen, Tony Shahloub, Jemaine Clement). Once you get to these three, however, things become quite complicated: each has a fairly compelling narrative for victory, and perhaps more importantly they have three very different submission tapes that cover some diverse territory.
At the end of the day, all three actors deliver funny performances, but I think it’s going to come down to which tape best combines the award show narrative and a performance worthy of the Academy’s attention.
February 5th, 2009
Bravissimo, Tina Fey and company.
With “Generalissimo,” 30 Rock has returned to what I would consider to be, at the very least, its pattern of glory. What works about this episode is not that every one of its storyline is a home run, as I am still extremely bored with Salma Hayek as an actress, but rather that everything connects. Not only do the A and B plots almost entirely intersect with one another, one informing the other, but then the C plot comes out of nowhere to play a convenient but nonetheless clever role in the conclusion.
And with comedies like these, especially ones like 30 Rock which here errs on the side of being a little zany and off the wall, connectivity is their greatest asset: this isn’t the episode where Liz Lemon got a new love interested played by Jon Hamm, or the episode where Jack Donaghy bought a telenovela starring a man who looks like him, or the episode where Tracy Jordan discovered the dangers of placing fire close to his mouth. Instead, it’s the episode where Jack purchasing a telenovela gives Liz terrible advice on dealing with her current crush which eventually is both complicated and then uncomplicated by the crazy antics as Tracy tries to prove his youth.
And that kind of episode? I want to go to there.