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Season Premiere: Glee – “Audition”

“Audition”

September 21st, 2010

I want you to imagine that “Audition” was, in fact, an audition for Glee as a television series: if this were the show’s pilot, what show would you imagine it to be?

The series’ actual pilot, if you remember, tries to capture an emotion: it is about the positivity of Glee club, and the potential for music to unite these social outcasts (and a football player) to achieve something beyond simple anonymity. It was predicated on the idea that one song could pull everything together: Journey was powerful enough to bolster Will’s spirit and calm Finn’s anxieties, and suddenly New Directions was full of hope.

And yet, the Glee club never truly moved up the social ladder, and this sort of romantic ideal of glee club was deconstructed just as quickly as it was constructed. Glee’s first season was spent trying to find new ways to challenge the Glee club, and to be honest they kept returning to the same premise: by placing the club’s finances in peril, the group would need to band together against external threats and thus recreate the final scene of that pilot. Everyone would get together and sing to help Quinn through her pregnancy, or help Will understand what he means to them, or some other holistic function that music could in some fashion solve. Glee was a show about people getting knocked down and immediately getting back up to sing things back to where they were before, a cycle that became dramatically problematic by the time the first part of the season came to an end.

By comparison, “Audition” is not that type of show: the emotion it captures is the discord within the Glee Club family, and it starts with the hopefulness of the ideal before quickly and quite viciously deconstructing any notion that happy days are here again. It is an episode about the impossibility of unity, about how our selfishness keeps the ideal from ever coming to fruition, and is thus an episode that taps into the sadness inherent in Glee’s concept rather than its triumphant musical enlightenment.

In other words, it’s my kind of Glee, which makes it a pretty substantial risk for a second season “Audition.”

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30 Rock – “Sun Tea”

“Sun Tea”

November 19th, 2009

This is “Green Week” on NBC, which means that every show has some sort of environmental sustainability storyline in it. And while the shows did similar episodes a few seasons ago (The Office did its “Survivorman” parody and 30 Rock did the great “Greenzo”), it’s a well that has quite a bit of content in it, depending on how the shows wants to go about it.

While The Office (which I won’t be reviewing tonight, although I’ll probably throw some thoughts onto the end of the page) simply used it as a theme for the cold open (as it did with Halloween), 30 Rock takes a more continuous and as a result scattered approach. Giving Kenneth the task of “greening” 30 Rock felt forced, and while the episode wanted to try to make it seem subversive and clever the show has done too many similar things before.

However, continuing last week’s improvement on the season as a whole, this week had a cohesive point of view if we ignore the environmental side of things, presenting two stories that allowed for both some brilliant absurdity and actions which are driven by character rather than plot. And, just when you think that the environmental story is entirely worthless, the show spins off a few random parts of other scenes into the storyline and helps bring everything full circle in a sequence that actually is as clever as it wants it to be.

Plus, Teddy Ruxpin was a frakkin’ lawyer.

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