Assessing through Assessments: NBC Comedies
March 14th, 2010
I don’t have a whole lot to say this week about the Thursday night comedies that’s particularly new, since I’m a few days behind, but I’ve rarely let that stop me before. However, rather than prattling on about all four shows, I figured I’d highlight some passages from other reviews of the episodes; this is an intriguing time for all four comedies from a critical perspective, so there’s some diverse thoughts floating around that I relate with to varying degrees.
And so, in a longer form than I had initially intended, I’ll highlight some of those great reviews and offer my own thoughts on “Basic Genealogy,” “The Possum,” “St. Patrick’s Day,” and “Future Husband.”
“Dealbreakers Talk Show #0001”
December 3rd, 2009
After writing rather lengthy analysis of the other three NBC comedies, all of which tapped into the emotional recesses of their characters in uncomfortable or telling fashions, it’s refreshing to get to 30 Rock, which tried to do absolutely none of those things.
While it wasn’t an all-time classic, “Dealbreakers Talk Show #0001” was a prime example of what happens when you just let Liz Lemon run free. The episode follows a paper thin plot, rarely taking a story to any unexpected or surprising place, but Tina Fey is so inherently in control of this character that she is able to depict Liz’s downward spiral into a Jekyll/Hyde split persona in a way that makes you laugh so hard you forget just how pointless it all is.
It becomes a series of cleverly executed sight gags at a certain point in the episode, demonstrating that even the simplest of stories (even when that story surrounds an element of the show which could be complicated) can elicit laughs within the universe Fey has created here.