Tag Archives: Dexter

Re-Serializing Sports Entertainment: Jeff Katz’s Wrestling Revolution

Professional wrestling is a storyteller’s medium.

Case in point: I spent my middle school years running a fictional wrestling federation on the internet, writing out extensive recaps of fictionalized wrestling events complete with matches, promos, and everything else in between. Using a combination of real WWE wrestlers and characters of my own making, I saw the world of professional wrestling as a place to explore my creativity (and, given the length of many of these pieces, teach myself how to type). None of these documents have survived, at least as far as I am aware, but I remember one particular pay-per-view I wrote was something like 70 pages long, an early sign of my long-winded nature.

This notion of fantasy storytelling remains quite common within the space of professional wrestling, enabled by programs such as Extreme Warfare and often influenced by frustration with the WWE and other available products. Extreme Warfare has no actual wrestling, instead putting the user in control of who wins, who fights whom, and how much time is given over to promos, etc. The user becomes the “booker,” the person responsible for deciding which stories to tell, which wrestlers to push or bury, and what kind of product they will sell to their virtual audiences. For any wrestling fan who has been frustrated with a booking decision (which is likely every wrestling fan in existence), fictional federations and simulators were a way to take over the role of storyteller and imagine a more satisfying narrative experience.

Earlier this week, one particular booking decision (which is airing tonight on WWE Smackdown) set off a firestorm of controversy within a subsection of professional wrestling viewers, and one of those viewers has taken an honestly fascinating step. Jeff Katz, a Hollywood producer, has started a Kickstarter campaign to create a tightly-serialized wrestling program that eschews the 52-week model of the WWE entirely. Specifically comparing it to shows like Dexter and The Wire, Katz is arguing that what wrestling needs isn’t just better decision-making, but an entirely different storytelling model which offers a beginning, a middle, and an end.

Katz has given the project 90 days to raise $100,000, and I find this whole idea to be incredibly fascinating. However, I’m not sure that Katz has provided any clear image of just what this “Wrestling Revolution” might look like. While he throws around a lot of comparisons that would excite fans of serious drama, and suggests that is what the WWE would be if it were written by Shawn Ryan, I have my doubts about whether professional wrestling is conducive to the kinds of stories he is imagining (and which I imagined back when I was a teenager).

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2010 Emmy Award Predictions: Lead Acting in a Drama Series

Lead Acting in a Drama Series

August 26th, 2010

The Lead Acting awards on the Drama side this year are polar opposites: one has a clear frontrunner and a slightly tired set of nominees, while the other category has a ridiculously packed lineup of potential winners where no clear frontrunner exists and where I’d be happy with anyone winning the trophy.

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2010 Creative Arts Emmys Predictions: Guest Acting

2010 Creative Arts Emmys Predictions

August 21st, 2010

Each year the Creative Arts Emmys are a celebration of the unsung heroes, albeit a celebration which remains largely unsung: few ever really get to see the awards, and so there’s a certain lack of fanfare. However, with the Guest Acting awards given out at the show and with the battles between shows like Glee and Modern Family unfolding for the first time, it’s a good early indicator for how the big awards will fall.

I’m still grappling with the idea of doing predictions for the big awards, and waiting until the Creative Arts ceremony is over is a good reason to put it off for another day. So, let’s take a look at the Creative Arts awards, and go from there.

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The 2010 Primetime Emmy Award Nominations

The 2010 Primetime Emmy Award Nominations

July 8th, 2010

[For complete analysis of the 2010 Emmy Nominees, head to my full breakdown, “The Trick is to Watch TV,” here.]

Here are the nominees for the 2010 Emmy Awards (and, for added value, my gut feelings in terms of early favourites have been bolded): for all of the awards, click here to download the Academy’s PDF.

Outstanding Drama Series

  • True Blood
  • Breaking Bad
  • The Good Wife
  • Dexter
  • Lost
  • Mad Men

Lead Actress in a Drama Series

  • Glenn Close (Damages)
  • Mariska Hargitay (Law and Order: SVU)
  • Julianna Margulies (The Good Wife)
  • Connie Britton (Friday Night Lights)
  • January Jones (Mad Men)
  • Kyra Sedgwick (The Closer)

Lead Actor in a Drama Series

  • Kyle Chandler (Friday Night Lights)
  • Bryan Cranston (Breaking Bad)
  • Michael C. Hall (Dexter)
  • Jon Hamm (Mad Men)
  • Hugh Laurie (House)
  • Matthew Fox (Lost)

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Handicapping the 2010 Emmys: Official Ballot Miscellany

Official Ballot Miscellany

June 4th, 2010

Earlier this evening, Emmy voting officially began; this isn’t particularly important to us non-voters, but it does mean that the official ballots were released (PDFs: Performers, Writing, Directing), which means that we know who submitted their names for Emmy contention and can thus make our predictions accordingly. In some cases, this simply confirms our earlier submissions regarding particularly categories, while in other cases it throws our expectations for a loop as frontrunners or contenders don’t end up submitting at all.

For example, Cherry Jones (who last year won for her work on 24) chose not to submit her name for contention this year, a decision which seems somewhat bizarre and is currently being speculatively explained by her unhappiness with her character’s direction in the show’s final season. It completely changes the anatomy of that race, removing a potential frontrunner and clearing the way for some new contenders (or, perhaps, another actress from Grey’s Anatomy). Either way, it’s a real shakeup, so it makes this period particularly interesting.

I will speak a bit about some surprising omissions and inclusions in the categories I’ve already covered this week, but I want to focus on the categories that I haven’t discussed yet, including the guest acting categories, writing, and direction, which are some interesting races this year.

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Handicapping the 2010 Emmys: Drama Acting

Handicapping the 2010 Emmys: Drama Acting

June 3rd, 2010

On the drama side of things, there’s fewer trends that we can follow through to the nominees than there are in comedy. There, we can look at Glee and Modern Family and see some logical directions the awards could take, but in Drama there’s really only one new contender (The Good Wife), and the other variables are much more up in the air in terms of what’s going to connect with viewers. Lost could see a resurgence with voters in its final season, or it could be left in the dust; Mad Men could pick up more acting nominations now that its dynasty is secure, or it could remain underrepresented; Breaking Bad could stick to Cranston/Paul, or it could branch out into the rest of the stellar cast.

That unpredictability isn’t going to make for a shocking set of nominations, but I do think it leaves a lot of room open for voters to engage with a number of series to a degree that we may not have, so it’s an interesting set of races where I’m likely going out on some limbs.

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Handicapping the 2010 Emmys: Drama and Comedy Series

Handicapping the 2010 Emmys: Drama and Comedy Series

June 1st, 2010

What’s weird about predicting the Emmy nominations (which are on July 8th, for the record) is that it really doesn’t have anything to do with quality: sure, a bad season can certainly hurt your chances at getting an Emmy, and a good season is sure to be of some assistance, but the objective quality of a series doesn’t really matter until they’re nominated. Until that point, it’s one big popularity contest, combining old habits, much-hyped new series, and those nominees who seem particularly newsworthy.

This is why it’s possible to predict the nominees, or at least the long-list of contenders who could logically garner a nomination on July 8th, before the eligibility period even ends (which isn’t really that big a deal this year, as any series which aired the majority of its season before the deadline [like Breaking Bad] will still be able to submit their concluding episodes). And while it may seem a bit premature, I’m pretty Emmy obsessive, and wanted to take some time this week to run down the potential nominees in each category. In the case of the series and acting categories, I’ll single out some who I believe are guaranteed nominations, while I’ll likely be less able to do so with Writing and Directing (which are often much less predictable, outside of a few exceptions).

We’ll start with Outstanding Drama Series and Outstanding Comedy Series today, both because they’re a bit easier to handicap and because they’re the “big” races. They’re also the categories where I’m willing to put money down on a majority of the nominees, leaving only a few spots remaining for the other series to fight over in the months ahead.

And what a fight it’s going to be.

[Before we start, hats off to the great work of the Gold Derby forum members, especially moderator Chris “Boomer” Beachum, whose work continues to make projects like this a lot easier. Check out their Official 2010 Emmy Campaign Submissions thread for a full list of submitted nominees; you’ll end up there for at least a half hour before you realize how much time has elapsed.]

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