Tag Archives: Justified

Fleeting Footholds: The 2012 Primetime Emmy Nominations

The 2012 Primetime Emmy Nominations

July 19th, 2012

While Cultural Learnings has certainly been put on the backburner as I spend my summer studying, my willpower to keep myself from writing about television is at its weakest during Emmy season. While you would think that an early analysis of the leadup to the nominations and a piece on the nominations itself—focusing on Downton Abbey’s successful transition to the Series category—over at Antenna would be sufficient, I found myself hitting the site’s word count limit while still having a whole collection of narratives left to play out.

Accordingly, there are two points I want to make here. The first is the way in which this year’s awards demonstrate the capacity for a show to fall completely off the radar, and the other is what this year’s awards mean for the different networks and channels who are always looking to retain a footing within the race for nominations.

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Hope Springs Intermittently: Stories of the 2011 Emmy Nominations

Stories of the 2011 Emmy Nominations

July 14th, 2011

My favorite thing about Emmy nomination morning is the sense of hope.

It lingers in the air before the 5:35am PT announcement – last night, as both coasts drifted off to sleep, people on Twitter were posting lists of contenders that they were crossing their fingers for, still believing that shows like Fringe or Community had a shot of breaking into their respective categories. This is not a slight on either show, or on their fans who choose to believe. As always, some part of me wishes that I didn’t know enough about the Emmy nomination process to logic away any chance of sentimental favorites garnering a nomination.

My least favorite thing about Emmy nomination morning is the moment the bubble bursts. When the nominations are actually announced, it’s this constant rollercoaster: one nominees brings excitement while another brings disappointment. The bubble hasn’t burst yet, at that point, as there are often enough shifts in momentum that no one emotion wins out, leaving us struggling to figure out just how we feel.

The moment it bursts is when you open the PDF and see all the nominations laid out before you, and when the math starts adding up. Twitter has quickened this process: you don’t need to wait until critics and reporters break down the nominations, as everyone is tweeting the sobering details by the time 8:45am rolls around. Excitement in one area turns to disappointment in another, with one favorite’s surprise nomination becoming deflated when you realize that other favorites were entirely shut out.

As always, I was one of those people sorting through the list of nominations, and the bubble did burst at a certain point. It was the point when I remembered that surprise nominees are often unlikely to be surprise winners, and that for every category with a surprising amount of freshness there’s another that reeks of complacency and laziness. These are not new narratives, of course, but they’re narratives that overpower any sense of hope that could possibly remain after a morning of sobering reality, and that temper any enthusiasm that might nonetheless remain.

Although we cannot say that there is no enthusiasm to be found. While there are no real dominant narratives at this year’s Emmys, I do want to focus on a number of stories that I consider important based on the nominations, some of which involve excitement and others which involve that defeatist Emmy spirit we cynics hold so dear. One deals with how a network fights to remain relevant after giving up its Emmy bait, while another deals with the failings of an oft-derided set of categories. The others, meanwhile, look at the difference between being nominated and being competitive, as well as why it might be that an entire set of categories can’t help but feel like a disappointment.

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A Final Forecast: Five Stories to Watch in the 2011 Emmy Nominations

5 Stories to Watch in the 2011 Emmy Nominations

July 12th, 2011

After numerous failed attempts at writing about why I was struggling to write about the Emmy Awards, which will go down as a meta fail of epic proportions, I’ve decided just to write about the Emmy Awards now that we’re only two days away from the nominations.

These are the five stories that I’m most interested in heading into the awards, the situations that have the most potential to surprise, infuriate, or otherwise stir emotion within my person. They are not predictions so much as they are a forecast, one that I sort of hope will get to my ambivalence towards this year’s awards in the process (although that might send me back into the spiral that I’ve found myself in for the past few weeks all over again).

1. Playing the Game of Thrones

While I think that Game of Thrones is worthy of Emmy consideration, I don’t know if I’m actively rooting for it over other competitors: while it has some strong acting contenders, and will definitely compete in the craft categories, I think there is tough competition in the drama field in terms of both acting and in terms of series.

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Handicapping the 2010 Emmys: Drama Acting

Handicapping the 2010 Emmys: Drama Acting

June 3rd, 2010

On the drama side of things, there’s fewer trends that we can follow through to the nominees than there are in comedy. There, we can look at Glee and Modern Family and see some logical directions the awards could take, but in Drama there’s really only one new contender (The Good Wife), and the other variables are much more up in the air in terms of what’s going to connect with viewers. Lost could see a resurgence with voters in its final season, or it could be left in the dust; Mad Men could pick up more acting nominations now that its dynasty is secure, or it could remain underrepresented; Breaking Bad could stick to Cranston/Paul, or it could branch out into the rest of the stellar cast.

That unpredictability isn’t going to make for a shocking set of nominations, but I do think it leaves a lot of room open for voters to engage with a number of series to a degree that we may not have, so it’s an interesting set of races where I’m likely going out on some limbs.

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