Tag Archives: Award Show

Handicapping the 2010 Emmys: Drama Acting

Handicapping the 2010 Emmys: Drama Acting

June 3rd, 2010

On the drama side of things, there’s fewer trends that we can follow through to the nominees than there are in comedy. There, we can look at Glee and Modern Family and see some logical directions the awards could take, but in Drama there’s really only one new contender (The Good Wife), and the other variables are much more up in the air in terms of what’s going to connect with viewers. Lost could see a resurgence with voters in its final season, or it could be left in the dust; Mad Men could pick up more acting nominations now that its dynasty is secure, or it could remain underrepresented; Breaking Bad could stick to Cranston/Paul, or it could branch out into the rest of the stellar cast.

That unpredictability isn’t going to make for a shocking set of nominations, but I do think it leaves a lot of room open for voters to engage with a number of series to a degree that we may not have, so it’s an interesting set of races where I’m likely going out on some limbs.

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Tactless Logic: The Emmy Awards Time-Shifting Fiasco

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Tactless Logic:

The Emmy Awards Time-Shifting Fiasco

The Academy was so close to getting away with it.

Every year, the Emmys are faced with a mountain of criticism that no other award show really deals with, as the show in and of itself is part of the medium that it judges. While the Oscars or the Grammys are television presentations, the critics who analyze them as award shows are not likely film critics, and lack that personal connection with the material being dealt with. With the Emmys, however, the same television critics who (rightfully) criticize the Emmys for failing to recognize certain performers or certain shows for various reasons are the same ones who watch and criticize the show itself, making it a darn tough job to be in charge of the awards show.

This year, they are in the unenviable decision of having to make dramatic changes after two disastrous experiments: first, FOX confused just about everyone with their “Theater in the Round” setup, and last year ABC allowed the Reality Competition Program hosts to host the event and nearly caused a riot amongst angry critics questioning the lack of humour, chemistry, and just about anything worthwhile. They’re in the position where they needed to make changes, but when critics are always on the lookout for potential concerns they needed to step very carefully.

The changes they came up with, and revealed this week, were changes designed in order to streamline the show, allowing more time to let critic-approved Neil Patrick Harris do his thing, and to clear the way for the show to be more engaging for the audience at home. Their purpose alone, is quite logical: everyone wants a better show, and people acknowledge that there need to be changes for that to happen.

Where the Academy (particularly producer Don Mischer) went wrong, however, is in how they sold these changes, changes that demonstrate a logical understanding of some of the award show’s struggles and yet also a tactless understanding of how critics, the industry and other observers would react to their reasoning. If sold differently, these changes would have remained a sticking point but one that would have been over time forgiven: as it stands, it’s a scandal that isn’t going away anytime soon, and a scandal that’s standing in the way of the Emmys making a much-needed comeback.

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