More “Not Boring” Than Usual:
Surprises Elevate the 2010 Primetime Emmys
As a whole, the Emmy Awards live and die on surprise: sure, there’s always favourites, but the idea that “anything can happen” is what keeps us watching a show which so often punishes us for becoming emotionally involved. For every pleasant surprise there has been soul-crushing complacency, and so we watch hoping that something will cut through the pain in order to give us some sense of hope for the legitimacy of these awards.
And while we eventually leave each evening lamenting numerous mistakes, comfortable in our superior knowledge of what is truly great in television in a given year, I don’t want that to obfuscate the moments of transcendence. Sometimes, moments come together that defy our cynical expectations, moments that find the spontaneity in the scripted or make the spontaneous feel as if it was planned all along. And while I remain the jaded critic that I was before the show began, any chance of carrying that attitude through the entirety of the show was diminished at the sight of Jon Hamm booty-dancing towards Betty White, and all but gone by the time Top Chef finally ended The Amazing Race’s reign of terror over Reality Competition program.
It was a night filled with surprises, whether in terms of who was winning the awards (with a huge number of first-time winners) or in terms of emotional moments which resulted from those winners – sure, there were hiccups along the way, and there were still a number of winners which indicated that the Emmys are still stuck in their ways, but there was enough excitement for me to designate these Emmys as “not boring.”
In fact, I’d go so far as to say they were more “not boring” than usual.
Lead Acting in a Comedy Series
August 25th, 2010
There is nothing particularly progressive about the Lead Acting awards on the comedy side: with Modern Family’s cast choosing to submit in supporting across the board, and with Lea Michele and Matthew Morrison both submitting poorly, the big comedy battle of the year really isn’t relevant here, which means that we’re left with less interesting battles.
Or, more accurately, some less heartening battles: the reality is that these awards are unlikely to go to new faces, with previous winners dominating both fields. I’d like to believe that someone like Amy Poehler or Jim Parsons could walk away with these awards, but only the latter really has a chance, and even then something big, boring, and potentially enraging stands in his way.
2010 Creative Arts Emmys Predictions
August 21st, 2010
Each year the Creative Arts Emmys are a celebration of the unsung heroes, albeit a celebration which remains largely unsung: few ever really get to see the awards, and so there’s a certain lack of fanfare. However, with the Guest Acting awards given out at the show and with the battles between shows like Glee and Modern Family unfolding for the first time, it’s a good early indicator for how the big awards will fall.
I’m still grappling with the idea of doing predictions for the big awards, and waiting until the Creative Arts ceremony is over is a good reason to put it off for another day. So, let’s take a look at the Creative Arts awards, and go from there.
The Trick is to Actually Watch TV: The 2010 Emmy Nominations
July 8th, 2010
The Emmy nominations (which you can find in full here) are less a sign of what’s truly great on television and a more a sign of what the Emmy voters have actually been watching.
Series and performers are nominated for Emmys for one of two reasons: either the Academy members watched episodes carefully and saw them deserving of an award, or they looked at their ballots and chose a familiar name, a much buzzed-about series, or the first name on the ballot. And, frankly, most years the latter seemed to be their modus operandi, to the point where I’ve started to disassociate voters with any notion of television viewership – I’m not even convinced most of them own televisions.
However, for once, I’d say that the 2010 Emmy nominations seem to have been made by people who actually enjoy the medium, with plenty of evidence to demonstrate that voters actually watched many of the shows they nominated and discovered not only the most hyped elements of that series but also those elements which are truly deserving of Emmys attention. There are still plenty of examples where it’s clear that Emmy voters didn’t truly bother to watch the series in question, and all sorts of evidence which indicates that the Emmy voters suffer from a dangerously selective memory and a refusal to let go of pay cable dramedies, but the fact remains that this is the most hopeful Emmy year in recent memory.
It isn’t that every nominee is perfect, but rather that there is evidence of Academy voters sitting down in front of their television and watching more than a single episode of the shows in question, making them less like soulless arbiters of quality and more like actual television viewers – it might not stick, but for a few moments it’s nice to finally see some nominees that indicate voters aren’t so much different from us after all.
The 2010 Primetime Emmy Award Nominations
July 8th, 2010
[For complete analysis of the 2010 Emmy Nominees, head to my full breakdown, “The Trick is to Watch TV,” here.]
Here are the nominees for the 2010 Emmy Awards (and, for added value, my gut feelings in terms of early favourites have been bolded): for all of the awards, click here to download the Academy’s PDF.
Outstanding Drama Series
- True Blood
- Breaking Bad
- The Good Wife
- Mad Men
Lead Actress in a Drama Series
- Glenn Close (Damages)
- Mariska Hargitay (Law and Order: SVU)
- Julianna Margulies (The Good Wife)
- Connie Britton (Friday Night Lights)
- January Jones (Mad Men)
- Kyra Sedgwick (The Closer)
Lead Actor in a Drama Series
- Kyle Chandler (Friday Night Lights)
- Bryan Cranston (Breaking Bad)
- Michael C. Hall (Dexter)
- Jon Hamm (Mad Men)
- Hugh Laurie (House)
- Matthew Fox (Lost)
Official Ballot Miscellany
June 4th, 2010
Earlier this evening, Emmy voting officially began; this isn’t particularly important to us non-voters, but it does mean that the official ballots were released (PDFs: Performers, Writing, Directing), which means that we know who submitted their names for Emmy contention and can thus make our predictions accordingly. In some cases, this simply confirms our earlier submissions regarding particularly categories, while in other cases it throws our expectations for a loop as frontrunners or contenders don’t end up submitting at all.
For example, Cherry Jones (who last year won for her work on 24) chose not to submit her name for contention this year, a decision which seems somewhat bizarre and is currently being speculatively explained by her unhappiness with her character’s direction in the show’s final season. It completely changes the anatomy of that race, removing a potential frontrunner and clearing the way for some new contenders (or, perhaps, another actress from Grey’s Anatomy). Either way, it’s a real shakeup, so it makes this period particularly interesting.
I will speak a bit about some surprising omissions and inclusions in the categories I’ve already covered this week, but I want to focus on the categories that I haven’t discussed yet, including the guest acting categories, writing, and direction, which are some interesting races this year.
Handicapping the 2010 Emmys: Comedy Acting
June 2nd, 2010
In comedy this year, a lot depends on what shows make it big: we know that Glee and Modern Family are going to make a statement (as noted in my piece handicapping the Comedy Series race), but is it going to be a statement of “this is a great show” or a statement of “this is the greatest show since sliced bread?” The difference will largely be felt in the acting categories: both Modern Family and Glee have multiple Emmy contenders, but it’s unclear whether some of the less heralded performers will be able to rise along with the big “stars,” or whether the halo of series success won’t help them compete against some established names already entrenched in these categories.
Ultimately, I’m willing to say that there’s going to be some pretty big turnaround this year in some of these categories, but others feature quite a large number of former nominees who likely aren’t going anywhere, so it should be interesting to see how things shake out on July 8th. In the meantime, let’s take a look at the four major Comedy Acting Emmys and see where the chips lie.
Handicapping the 2010 Emmys: Drama and Comedy Series
June 1st, 2010
What’s weird about predicting the Emmy nominations (which are on July 8th, for the record) is that it really doesn’t have anything to do with quality: sure, a bad season can certainly hurt your chances at getting an Emmy, and a good season is sure to be of some assistance, but the objective quality of a series doesn’t really matter until they’re nominated. Until that point, it’s one big popularity contest, combining old habits, much-hyped new series, and those nominees who seem particularly newsworthy.
This is why it’s possible to predict the nominees, or at least the long-list of contenders who could logically garner a nomination on July 8th, before the eligibility period even ends (which isn’t really that big a deal this year, as any series which aired the majority of its season before the deadline [like Breaking Bad] will still be able to submit their concluding episodes). And while it may seem a bit premature, I’m pretty Emmy obsessive, and wanted to take some time this week to run down the potential nominees in each category. In the case of the series and acting categories, I’ll single out some who I believe are guaranteed nominations, while I’ll likely be less able to do so with Writing and Directing (which are often much less predictable, outside of a few exceptions).
We’ll start with Outstanding Drama Series and Outstanding Comedy Series today, both because they’re a bit easier to handicap and because they’re the “big” races. They’re also the categories where I’m willing to put money down on a majority of the nominees, leaving only a few spots remaining for the other series to fight over in the months ahead.
And what a fight it’s going to be.
[Before we start, hats off to the great work of the Gold Derby forum members, especially moderator Chris “Boomer” Beachum, whose work continues to make projects like this a lot easier. Check out their Official 2010 Emmy Campaign Submissions thread for a full list of submitted nominees; you’ll end up there for at least a half hour before you realize how much time has elapsed.]
Performers of the Year
December 19th, 2009
I am not capable of working magic, so I shall not attempt to rank every single amazing television performance of the past year and boil them down to only ten selections. It’s an impossible task that the Emmys are incapable of doing correctly even when they have numerous categories in which to highlight particular nominees, so who am I to try to cover all of my bases with just ten names?
The purpose of this list, rather than trying to represent every great performance, is to highlight those that had an impact on me, and to some degree to highlight those which might not be represented elsewhere on the list in terms of particular episodes or the series themselves (and since I limited it to one performer per show, in some instances I refused to make a decision and chose to represent them elsewhere). In some cases, this means singling out the one part of an ensemble that I enjoyed, and in others it means singling out obvious candidates because there may not have been room for their shows on other lists (although I could just be messing with your heads, who knows?).
Now, in selecting this list, I had two basic rules:
- If they won an Emmy or some other major award, chances are I didn’t include them.
- If I didn’t see it (e.g. Breaking Bad), I can’t award them for it.
The second rule is there for an obvious reason, but the first is a bit more complex. I know that someone like Toni Colette gave a great performance in United States of Tara this year, no doubt, but I also know that she already got an Emmy for it – I don’t really need to tell you she gave a great performance, and I am more likely to give her spot to someone who hasn’t won an Emmy, or who should have won an Emmy, or who might some day win an Emmy. This isn’t to say I’m avoiding all buzzworthy individuals, but rather to suggest that I tried to avoid the usual suspects (so, no Tina Fey and Alec Baldwin, for example).
So, without further ado, let’s discuss the Top 10 Performers of the Year (in alphabetical order, by the way).