More “Not Boring” Than Usual:
Surprises Elevate the 2010 Primetime Emmys
As a whole, the Emmy Awards live and die on surprise: sure, there’s always favourites, but the idea that “anything can happen” is what keeps us watching a show which so often punishes us for becoming emotionally involved. For every pleasant surprise there has been soul-crushing complacency, and so we watch hoping that something will cut through the pain in order to give us some sense of hope for the legitimacy of these awards.
And while we eventually leave each evening lamenting numerous mistakes, comfortable in our superior knowledge of what is truly great in television in a given year, I don’t want that to obfuscate the moments of transcendence. Sometimes, moments come together that defy our cynical expectations, moments that find the spontaneity in the scripted or make the spontaneous feel as if it was planned all along. And while I remain the jaded critic that I was before the show began, any chance of carrying that attitude through the entirety of the show was diminished at the sight of Jon Hamm booty-dancing towards Betty White, and all but gone by the time Top Chef finally ended The Amazing Race’s reign of terror over Reality Competition program.
It was a night filled with surprises, whether in terms of who was winning the awards (with a huge number of first-time winners) or in terms of emotional moments which resulted from those winners – sure, there were hiccups along the way, and there were still a number of winners which indicated that the Emmys are still stuck in their ways, but there was enough excitement for me to designate these Emmys as “not boring.”
In fact, I’d go so far as to say they were more “not boring” than usual.
April 27th, 2010
“I don’t try to change you, you don’t try to change me”
There is nothing I hate more than a show doing everything I ask it to and nonetheless leaves me cold. If you had asked me to focus on some of the prevailing problems to this point in Glee’s Spring season, I would have pointed to the narrow storylines which tend to focus on the central love triangles rather than the supporting characters, so to have an episode that so clearly focuses on characters like Kurt and Mercedes seems like it should be right up my alley.
The problem with “Home” is that it feels like the show is being changed rather than changing, characters emerging from their prison of one-dimensionality and returning to the last time they had anything close to character development. At times this results in beautiful musical numbers and emotionally resonant scenes which speak to the larger series, but as an actual episode “Home” feels equal parts honest and dishonest thanks to the sense that none of it has been earned from a narrative perspective.
You could make the same argument about “Wheels,” I realize this, but I think that this episode contained more of both sides of the show’s schizophrenia as it relates to certain characters, and comes directly after an episode which presented such wildly different versions of these characters that the jarring lack of continuity cannot be overcome by an emotional performance of a Burt Bacharach song, no matter how hard the show tries to make it so.
Open Bar. Slavish appreciation of celebrity and the cult therein. The Golden Globes are not about who wins, really, but that doesn’t mean that I would ever miss an opportunity to complain about it. Watch as I discuss the television awards with a false sense of authority, write about the movie awards with an even more false sense of authority, and gossip about celebrities with the exact amount of zero authority almost all internet commentators have on the subject.
I am not live-blogging the pre-show per se, but I have been writing some tweets, so follow me on Twitter for more fun on that front. But, really, we’re here for the judgments of the Hollywood Foreign Press – those guys are crazy.
7:49pm: First word of warning – time might jump forward an hour, I’m adjusting Atlantic Time to Eastern Time for your benefit and might occasionally screw up. Time for the pre-awards ten minutes of pre-show blogging.
7:54pm: Basics of the pre-show – NBC mindbogglingly combining people in a line so that they could get through more people, resulting in some enormously random combinations. Only real moment of any interest was Mark Wahlberg quite hilariously calling Jeremy Piven out on his mercury levels, and then Piven getting gravely serious about it, resulting in a lot of awkwardness. Otherwise, no drama of note, and I won’t attempt discuss anything related to fashion.
7:56pm: Okay, I lied – Kate Winslet looks really, really good. That is all.
7:58pm: Brooke Burke and Tiki Barber aren’t allowed to have opinions, silly Nancy O’Dell – that’s not why they’re there!
8:00pm: And here we go – wait, the Jonas Brothers are there? Oy vey.