January 12, 2009 · 1:05 am
Credit Where It’s Due:
The Golden Globes are not (entirely) Irrelevant
It is often very easy to discredit the Golden Globes for being one thing or another, or for not being one thing or another. It is not that these are all false: the Hollywood Foreign Press Association are not cinematic or television authorities, and it is often very clear in their choices that their criteria is both highly erratic and highly suspect on most occasions. The 2009 Golden Globes were in part a testament to this particular part of their mystique, with a variety of winners which felt like they were entirely unrelated to the film or television series beside their name.
But we have to admit that there are certain points where this type of crass favouritism can actually intersect with what we as both award show viewers and as appreciators of good film and television considering to be something approaching justice. While I could easily speak to how Slumdog Millioniare’s numerous wins are a result of its international production (Always a big thing with the HFPA, see Babel defeating The Departed), or how Tina Fey’s victory is only the result of her time in the mainstream as Sarah Palin, does this really override the fact that I loved Slumdog Millionaire and that Tina Fey is a comic sensation on 30 Rock?
While the sheer cynicism with which we view the subjectivity of the Golden Globes is not wholly unique within the major awards circuit, I nonetheless feel like it is sometimes overstated in the case of the Globes for the purpose of focusing on those winners that we don’t like while choosing to view good decisions as the exception to the rule. This isn’t going to stop me from attacking the HFPA for being irrelevant with some of their choices, especially as it relates to nominees, but when it comes to the winners I think it’s safe to say that they might have actually paid attention to what they were watching in the past year.
Even if it was, per usual, for the wrong reasons in some instances.
[For a complete LiveBlog rundown of the show, click here!]
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Filed under Golden Globes
Tagged as 2009, 30 Rock, 66th Annual, Alec Baldwin, Anna Paquin, Anne Hathaway, Award Shows, Cinema, Colin Ferrell, Danny Boyle, Entertainment, Gabriel Byrne, Globes, Happy-Go-Lucky, HBO, Heath Ledger, HFPA, Highlights, Hollywood Foreign Press Association, In Bruges, In Treatment, January Jones, John Adams, Kate Winslet, Mad Men, Mickey Rourke, Movies, NBC, Recap, Revolutionary Road, Ricky Gervais, Slumdog Millionaire, Steven Spielberg, Television, The Dark Knight, The Reader, The Wrestler, Tina Fey, True Blood, Vicky Christina Barcelona
January 11, 2009 · 8:53 pm
Open Bar. Slavish appreciation of celebrity and the cult therein. The Golden Globes are not about who wins, really, but that doesn’t mean that I would ever miss an opportunity to complain about it. Watch as I discuss the television awards with a false sense of authority, write about the movie awards with an even more false sense of authority, and gossip about celebrities with the exact amount of zero authority almost all internet commentators have on the subject.
I am not live-blogging the pre-show per se, but I have been writing some tweets, so follow me on Twitter for more fun on that front. But, really, we’re here for the judgments of the Hollywood Foreign Press – those guys are crazy.
7:49pm: First word of warning – time might jump forward an hour, I’m adjusting Atlantic Time to Eastern Time for your benefit and might occasionally screw up. Time for the pre-awards ten minutes of pre-show blogging.
7:54pm: Basics of the pre-show – NBC mindbogglingly combining people in a line so that they could get through more people, resulting in some enormously random combinations. Only real moment of any interest was Mark Wahlberg quite hilariously calling Jeremy Piven out on his mercury levels, and then Piven getting gravely serious about it, resulting in a lot of awkwardness. Otherwise, no drama of note, and I won’t attempt discuss anything related to fashion.
7:56pm: Okay, I lied – Kate Winslet looks really, really good. That is all.
7:58pm: Brooke Burke and Tiki Barber aren’t allowed to have opinions, silly Nancy O’Dell – that’s not why they’re there!
8:00pm: And here we go – wait, the Jonas Brothers are there? Oy vey.
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Filed under Award Shows
Tagged as 2009, 30 Rock, 66th Annual, A.R. Rahman, Alec Baldwin, Anna Paquin, Awards, Blog, Bruce Springsteen, Chris Pine, Cinema, Cocaine, Colin Farrell, Danny Boyle, Entertainment, Gabriel Byrne, Golden Globes, Happy-Go-Lucky, Heath Ledger, In Treatment, John Adams, Jonas Brothers, Kate Winslet, Laura Linney, Live, LiveBlog, Liveblogging, Mad Men, Mickey Rourke, Milk, Movies, Paul Giamatti, Revolutionary Road, Ricky Gervais, Sally Hawkins, Sean Penn, Seth Roger, Slumdog Millionaire, Star Trek, Television, The Dark Knight, The Reader, The Wrestler, Tina Fey, Tom Cruise, Tom Hanks, Tom Wilkinson, Tracy Morgan, True Blood, Vicky Christina Barcelona, Wall-E, Waltz with Bashir, Zachary Quinto
December 20, 2008 · 12:12 pm
It is Written:
Slumdog Millionaire and the Power of Inevitability
Around these parts, it usually takes two things to make me write about a piece of cinema: first it has to be really, really good, and the second is that it has to have some connection to television as a medium. This is a self-imposed standard: I know that there are very few “pure” television readers of this blog (and comparatively “few” readers period), and that everyone is usually interested to hear about a great film. But I’m not a film reviewer, and my critical eye for it hasn’t really been developed, so being able to link it back into the world of television gives me a bit of a comfort level.
It was a comfort level that was in full effect as I watched my first “awards season” film of the year, the powerful and stunning Slumdog Millionaire from British director Danny Boyle. The film is about a Mumbai slumdog on the Indian version of “Who Want’s To Be A Millionaire?”, and diverges throughout the film into how Jamal got to the point wherein he could be on this show, answering these questions, and placed in this position. The structure of the film is clear within the first few minutes: you nod your head, accept what the film is trying to accomplish, and then begin the process of appreciating the stunning cinematography, the wonderful direction, the great child acting performances, and the stunning music.
The film’s conclusion is inevitable, not in terms of result but in structure: you know how the film will progress, and by the time you reach that moment you are capable of choreographing every step of the way. But by the end, presuming you’ve been watching all along, Slumdog Millionaire will rouse an audience like few other films. It is about the smallest of realizations, the broadest of events, and a fine example of how very powerful a film like this can be.
What struck me in that moment is that the film owes more to the trivia game show at its center than just a convenient setting for this tale: its storytelling operates in much the same fashion as does a reality show, introducing a fairly simple structure and following it to the point there the structure is secondary to character, to personality, to humanity. Reality shows in general are only as good as their contestants: every game of Who Wants to Be a Millionaire? was entirely the same, and every season of Survivor is really the same basic game outside of a few different twists and turns.
I know that some will view this comparison as something almost sacreligious, but it should be seen as a compliment: what takes most reality shows 13 episodes to accomplish is done here in only two short hours, less a rollercoaster than a steady climb up a lift hill. You know what’s about to happen: it is inevitable that you are going to reach the top and rush down the hill to the inversion below. But when this is all happening in such an emotional, engrossing and highly compelling environment crafted by Danny Boyle and the entire team who worked on the film, it feels like something so much more: by the time you’re rushing down, you’re caught between enjoying the ride and looking back with nostalgia on the climb itself.
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Filed under Cinema
Tagged as 2008, A.R. Rahman, Danny Boyle, Dev Patel, Entertainment, Movies, Oscars, Reality TV, Review, Skins, Slumdog Millionaire, Spoiler-free, Television, Who Wants to Be a Millionaire