October 25th, 2009
When “Dirty Harry” begins, the problems start before the episode even does. After the exciting finale to “Dex Takes a Holiday,” which was a strong episode which really connected with the qualities that make the show work and which ended on that cliffhanger of Deb and Lundy bleeding on the pavement, things seemed exciting in a way that the show was struggling with early on.
However, the lengthy “Previously on Dexter” sequence reminded us that the things that made that episode great were an exclusion (of Rita and the kids) and a shock (that won’t be recreated in the next episode), which means that “Dirty Harry” is immediately handicapped. And while there are some stories that seem legitimately compelling, those seem to be at a standstill while the “drama” comes from conflicts that are either entirely uninteresting or which feel like the sort of simple “Dexter meets Suburbia” type stories the show has been dealing with this season.
It proves once and for all that Dexter is a series best watched in extended bursts on DVD, because the hype is going to create expectations that this season isn’t able to live up to.
“Dex Takes a Holiday”
October 18th, 2009
After missing one episode while I was in New York, and having another one delayed by a DVR failure, I’ve finally caught up with Dexter’s fourth season. Ultimately, both episodes were an improvement over the premiere, although they suffered from similar problems. The show’s decision to place Dexter into the suburbs and into a family life has made for an odd shift in tone. In some ways, it’s a return to first season storylines, with Harry Morgan recurring to remind Dexter that he’s deranged and that he can’t truly have a family. However, the show spent two seasons largely ignoring that story, and something about the way the show played them in a comic light early on has robbed the show of some of its teeth. Just as we see a legitimately intriguing new serial killer who creeps us out, Dexter’s storylines have felt like bad thrillers (the vandal scenario) by comparison.
What “Dex Takes a Holiday” does better is to marry Dexter’s predicament with less of an awkward identity crisis and more of a profound identity crisis – whereas consequences before have been a teenage girl thinking Dexter is being lame, and for Dexter’s suburban dream to suddenly turn into something less than Cleaver-esque, this week posed a far more extreme question in a direct fashion which lacked in subtlety but connected thematically. The episode had its problems, but by literally shipping off Rita and letting Dexter act burdened by inner emotions and not halogen flood lights it really brings into stark contrast the potential of this character.
The problem is that it required sending the family away, a luxury that not every episode will have, and a factor which even an intriguing twist at episode’s end can’t exactly overcome.