Tag Archives: Episode 5

The Amazing Race Season 14 – “Episode Five (Siberia)”

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“She’s a Little Scared of Stick…”

March 15th, 2009

I spent a great deal of this, the fifth leg of The Amazing Race’s fourteenth season, wishing that last week’s blind U-Turn hadn’t happened, or that Kris and Amanda had been able to make it past the Detour in time to keep it from affecting them. While I understand that it’s part of the game, this race is weaker without them: a team that were likeable, fun to watch and competitive is the kind of team you want to have while you get rid of the weaker teams who are, well, not those things. Kris and Amanda may have been a threat to the competitive spirit of other teams, but they were much better from my own perspective – selfish, I know.

This week did little to assuage my concerns that we’re dealing with a slightly less interesting race as a result, although I’ll admit that this remains one of the most genuinely inoffensive group of racers in a long time. While there are a few teams who are legitimately struggling, it seems less as if they are just really bad at this race but rather that their skills lie in certain areas that don’t happen to come into effect when the teams are trapped in the depths of Siberia. We’re getting to the point where frontrunners are quite clear, and where the people who struggle are becoming more clearly identified, but there exists no one team that I would U-Turn if I was running this race with them.

But, of course, I’m not in race mode, so perhaps my rationality would go out the window when the time came.

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Survivor: Tocantins – “You’re Going to Want that Tooth”

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“You’re Going to Want That Tooth”

March 12th, 2009

One of the concerns with any season of Survivor is that you won’t get a story to follow – the editors will work hard to create one, but you’re looking for that alliance, or rivalry, or relationship, or something else that will make this season of Survivor different than the others. Of course, the fact that the producers are so clearly trying to find these every single season means that every season kind of becomes pretty much the same.

As far as stories go, the “Secret” alliance of Taj, Stephen, Brendan and Sierra is a great one on the surface – it justifies the new two-person Exile Island twist, it has the potential to be quite explosive, and more importantly it actually worked: this week’s episode opens with Taj getting the second immunity idol, completing the circle of life of sorts. The problem now is that their plan lacks foresight: instead of being a sudden twist or turn in the game, which are always more exciting, we get to watch it slowly disintegrate, an alliance that is hard to keep secret when it gives them an extra boost of what can easily go from confidence to cockiness.

The producers, meanwhile, are probably pretty happy with this: it means that instead of waiting for the merge for this alliance to explode, there’s every chance it could all explode at any moment, whether it’s one of the other tribe members getting suspicious or the alliance itself falling apart at the seams. Either way, it’s something that I am really curious to see play out, as we start to see parts of it here.

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Dollhouse – “Stage Fright”

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“Stage Fright”

February 27th, 2009

One of the problems with Dollhouse is that there are a lot of variables, too many if you ask me. It’s as if each week Eliza Dushku is a singer, but she doesn’t get the lyrics until she’s about to go onstage, knows none of the choreography, and doesn’t know what song the band is going to play until the music starts. The show builds around her each week, but at the same time the premise of the show means that it’s happening to her, more often than not: she’s not there to fix a situation so much as to sit there waiting for the situation to happen to her.

And watching Eliza Dushku come to slow realizations while more or less a sleeper agent isn’t actually all that interesting: unlike last week, where Echo was placed into actual danger and she began to see past actives and past events in ways that questioned the very nature of this process, this week we’re forced to be concerned about a stuck-up pop singer. And much like with the show’s pilot, where the kidnapping plot felt like something out of a very basic procedural, this one spent too much time (if not the entire episode) being pedestrian, and when it did finally try to become something more it was in one of those trite, on the nose parallels between the case of the week and our recurring characters.

It’s a sign that, no question, this is going to be a rollercoaster of sorts: on weeks like this one, we’re going to be looking back to last week’s episode and wishing that someone would try to shoot Echo with a bow and arrow again. And that’s going to be a balance issue the show’s going to have to confront with time.

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Flight of the Conchords – “Unnatural Love”

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“Unnatural Love”

February 15th, 2009

Well, finally.

It’s been a few weeks since I checked back in with Flight of the Conchords, and it’s really out of perpetual mild disappointment: it’s not that the show has become unfunny, but rather that part of its charm has more or less disappeared. The show has felt like it was reaching in order to recreate some of its comic highlights from the first season, with the expanded roles for Murray and Mel not being entirely unwelcome, but the charm of the show came less from the parts and more from how they came together into musically-themed episodes. The first few episodes of the season proved that the show was capable of surviving without the same kind of memorable songs, the same kind of thematic consistency to the episodes, but there was still something missing.

I think that “Unnatural Love” captures it, though: whether it was returning to the love life of our characters (a highlight for much of the show’s best material, including “If You’re Into It”), or the direction of Michel Gondry (Eternal Sunshine of the Spotless Mind, various fantastic music videos), this one just felt like it was operating on a different level. I actually think that some of the other episodes this season had some sharper comedy, but the songs were so much better here, and the comedy still in plentiful supply, that this is easily my favourite episode of the season thus far.

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Lost – “This Place is Death”

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“This Place is Death”

February 11th, 2009

Yesterday, I was reading a piece by Devin Faraci over at CHUD.com, wherein he laid out a laundry list of concerns over the trajectory of Lost’s fifth season. To summarize, Devin is arguing that the focus on time travel has them indulging themselves in the show’s science fiction elements, and that it is forgetting about its characters, losing its momentum, and diverting attention from where it should be placed. And, ostensibly, I believe that he is right about every one of these things; the only difference is that I feel the show is better for it.

“This Place is Death” is a reminder that this isn’t just an investigation of the island itself, but rather an investigation of the island and its relationship with these characters. It has given them things, such as a new set of legs, just as it has taken them away, and what we have here is the island beginning to assert its power over them. Charlotte is correct to remark that this island is one where death is prevalent, but we know it hasn’t always been this way: it gave Locke back his ability to walk, it cured Rose’s cancer, and it appears to have given Richard Alpert the ability to transcend the aging process entirely.

But now the island is off its axis, something has gone off-kilter. As the when of the island changes, the what changes with it: it affects different people to different degrees, its only consistency that it has turned against them all in at least some capacity. This episode is about one man’s plan to try to change this, and another man’s concern that if it proves unstoppable it might mean something terrible for the person about whom he cares the most. This, ultimately, is a character-driven story, one that focuses on a central relationship while reminding us that powers stronger than their love are operating here.

And with a single spin of the wheel, anything is possible.

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Scrubs – “My ABCs” and “My Cookie Pants”

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“My ABCs” and “My Cookie Pants”

January 27th, 2009

I knew something was off when I was watching, especially, the first episode of last night’s Scrubs doubleheader. J.D. and Elliot didn’t seem particularly close despite getting back together last week, the interns were being introduced as if we had only first met them, and we got the genesis of J.D.’s Facts of Life name for his intern despite having already seen it pop up in the premiere episodes three weeks ago. And sure enough, my confusion was quite justified: reading Sepinwall’s review confirms that this was, in fact, a rejiggered episode likely meant to be the season premiere – you don’t go out and grab the Sesame Street muppets for just any episode, after all.

But what it created was a weird sameness to these episodes: they were never meant to run sequentially, and it shows in the fact that they have very similar structures and at times felt like we were just dealing with not only storylines repeated in previous episodes but also in the one that followed. This is already a season that is repeating past storylines in an effort to reclaim some past glory, so it’s not like this is out of place or even unwanted: I laughed quite a bit through both half-hours, so I’m not one to complain.

Just that when the show is already getting put on hiatus (until mid-March) and moving to a new timeslot (Wednesdays at 8pm), they could have used something that promoted continuity as opposed to disrupting it even in this subtle fashion.

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