“Chuck vs. the American Hero”
March 29th, 2010
Sometimes, when critics receive episodes in advance and when previews run rampant online, those of us without those episodes and who choose not to watch those previews nonetheless hear the basic content of an episode. And when it comes to this week’s episode of Chuck, it was absolutely impossible to ignore the subject matter of this week’s episode.
What’s interesting is that these responses were both positive and negative: news that this episode would directly speak to Chuck and Sarah’s relationship tends to divide the Chuck viewership between those who are excited about it because it’s the reason they watch the show and those who are excited about it because it means they might finally get around to resolving this issue. While some live or die based on this story, most viewers tend to view it as a part of the show that’s fine in small doses, and fine in theory, but occasionally overpowers the rest of the show’s narrative.
And so episodes like “Chuck vs. the American Hero” are either the highlight of the season or a necessary evil in order for the show to keep on track heading into the rest of the year; in this case, after a bit of a rough start, the episode manages to prove engaging enough and twisty enough that any of my concerns with their relationship were (mostly) pushed aside for the time being.
“Chuck vs. First Class”
January 25th, 2009
One of the things that Chuck has always been good at is effectively telling the same stories without actually, you know, telling the same stories.
The show has always been about a hapless spy who oscillates between, to quote Daniel Shaw, “Bond and a Jerry Lewis Movie,” and whether or not Chuck is capable of handling himself has always been a point of tension. And yet after slightly more than two seasons, I still enjoy that dynamic, and feel as if the show has maintained the charm of Chuck’s incompetence without feeling as if he has made no progress. While Chuck has grown progressively more competent with time, including with his recent developments made possibly via the Intersect 2.0, his response has more or less been the same, and it’s allowed the character to grow without fundamentally changing.
So when “Chuck vs. First Class” starts with Shaw announcing that Chuck would be going on his first solo mission, I had to wonder whether the show was interested in upending the balance of these efforts, and whether Chuck’s success (since we knew he’d be successful) would lead to a newfound self-confidence or even cockiness.
However, the episode manages to offer a series of events that are absolutely familiar and yet which surround emotions and responses that reflect a growing emotional complexity in Chuck that shows maturity without taking away what makes the show work so well.