Looking back on 2011, I think it will be clearly marked as the year in which I no longer came to associate with the term “blogger.”
Now, to be clear, I do not mean to suggest that I have done so due to this term being derogatory: bloggers are good people, and serve as an important voice within the world of people who write about television (and, of course, numerous other subjects). However, more simply, I don’t think I updated Cultural Learnings enough in 2011 to justify laying claim to the title (given, for example, that this is my first post in well over a month).
The dropoff in posts has come out of necessity, primarily – the time I would spend blogging has been swallowed by increased responsibilities related to the “real life” side of my existence, which has left the “online life” side of things to occasional Twitter observations and my more “professional” work at The A.V. Club. On some level, my semester became a choice between continuing to watch television and writing about it, a devil’s gambit that led to a lack of content here on the blog and a surplus of content on my DVR.
I will admit, though, that I’m not entirely convinced I missed it. As Twitter becomes a more prominent form of discourse within the world of television criticism, and as my teaching responsibilities became more connected to the television I watch (and the meanings we draw from it), I haven’t felt as though I’ve said nothing about the things I’ve watched. However, I realize that on some level I’m going from over-explaining my thoughts about particular shows (like, for example, Community) to largely letting occasional 140-character observations represent my general opinion. I’m sure a psychiatrist would consider this a breakthrough given my penchant for verbosity, but it does create a vacuum of sorts for regular readers (especially those of you who might not use Twitter, who may think I’ve fallen off the face of the earth a bit).
There is just over 24 hours left to go in the Cultural Catchup Project’s Reader’s Choice poll to decide which show I will be watching first, and it’s not quite coming down to the wire. As it stands, Buffy the Vampire Slayer and Angel have a commanding lead with 42% of the votes, doubling the nearest competitor (The Shield) which is down to 21%. The Sopranos and Newsradio (at 19% and 18% respectively) are in a close battle for 2nd, but have very little chance at catching up to the leader at this stage in the game.
Now, however, is your chance to vote or try to change the course of history (or, more accurately, to potentially sway this meaningless poll in your favour). While I considered a run-off vote to give those the 3rd/4th place shows’ voters a chance to recast for one of the other series, I don’t have the time to pull that off properly, so I’ll leave it up to those who aren’t having the poll go your way: if you want to change the result, tell your Twitter followers or reach out to someone who has a lot of Twitter followers and try to pull the poll in your favour.
I am at the mercy of your democratic choice, and look forward to the results, whatever they may be. So, vote away, and I’ll be posting the results early Friday morning – the poll closes at 11:59pm ET tomorrow, April 8th.
Constants, Favourites and the Overlooked: 10 Important Episodes of Lost
February 1st, 2010
When you start listing your favourite Lost episodes, you’re inevitably going to overlap with other people’s lists. However, this overlap occurs for many possible reasons: it just isn’t that these episodes are the best, but rather that they are (as James Poniewozik’s list at Time points out) important. Yes, we pick the “Pilot” and “Walkabout” because they are stunning episodes of television, but we also pick them because of how they informed how we understood this world and its characters, and if they hadn’t worked then the show would never have been what it was. Similarly, we choose “Through the Looking Glass” and “The Constant” because they managed to introduce hugely complex narrative devices while remaining grounded in emotional stories of love and loss that broke/healed my heart, respectively.
And while those other lists cover why those episodes are constants on these futile efforts to focus our love for the show in such a narrow fashion, I want to focus on some other relatively common episodes and similar episodes that are not nearly as common on these types of lists. While it might mean that some of the episodes are not equal in quality to others, it nonetheless demonstrates that Lost is a show that had its roadblocks, and the ways in which it managed to overcome those concerns and anticipate/reconcile potential problems may be its most important televisual legacy.
So, after the jump, the six episodes that (in addition to the four mentioned above) round out my lost of “10 Lost Episodes that I have Deemed Important for the Sake of This Particular Article, but Which Do Not Constitute a Definitive Top 10 List, Which Would Be Impossible to Write.”