March 16th, 2010
Contrary to appearances, I don’t actually blog about every show I watch; yes, I blog a lot, but there are still shows that I’ll watch, and even enjoy a great deal, within a given week that just don’t make it into the rotation. Usually, there’s a draft or two about these shows kicking around, posts started but eventually abandoned either for a lack of time or a lack of content: I really enjoy Greek, for example, but rarely have anything substantial to say about it. But other times, I’m reminded that I never wrote an individual review of any episodes of a show like United States of Tara despite the fact that I really enjoyed the show’s first season and am excited about its second.
The Good Wife is a show that I haven’t blogged about since November because, well, no one else is blogging about it. It’s not that people have stopped watching it, per se, but rather that no one expected it to be the kind of show that you would write about on a weekly basis. I’m still not convinced that it’s the kind of show I could “review” in the way that I review something like Lost, but I feel it’s necessary to take a moment to reflect on just how far this show has come. I reviewed the show early on in its run, noting its growing confidence for a freshman series, but the new year has seen the show improve even further.
While Entertainment Weekly was a bit bullish in claiming it as the best show on television (RIGHT NOW), it continues to make a strong statement as its mix of workplace, family and courtroom drama seems both more complex and more comfortable with each passing episode, and “Heart” is another fine example of its continued success, and a great excuse to finally talk about it some more.