February 3rd, 2011
When pre-air reviews of Parks and Recreation’s third season emerged, Matt Zoller Seitz’s column at Salon stood out for me. This is due not only to its quality, which is top notch as per usual, but also because it focused very specifically on tonight’s episode, “Time Capsule.” At first, I was sort of thrown: having seen them all myself, the first episodes to come to mind were those featuring more character-driven humor and which dealt with ongoing plot developments, and to some degree “Time Machine” felt comparatively…small.
However, Matt’s comments were in my mind when I went back to rewatch the episode, and I think that he’s right on the money. While “The Flu” was perhaps the funniest of the first six episodes of the season, and the premiere had the most going on in terms of ongoing storylines, “Time Capsule” is very much the encapsulation of the series’ general charm. Its conclusion is just incredibly satisfying, a simple statement of what it means to be from Pawnee which resonates more strongly than any single joke. This is still a funny episode, in what continues to be a very funny season, but that it ends on something meaningful instead shows the side of the show that Matt responded to, and which certainly deserves recognition.
“The Master Plan”
May 13th, 2010
I hate to keep driving my “Parks: It’s the New Office!” comparisons into the ground, but I want you to think back to the start of The Office’s third season (which, not entirely coincidentally, picks up right after “Casino Night,” which I compared with last week’s “Telethon”). The show took a pretty considerable risk in introducing an entirely new workplace with Jim’s move to the Stamford branch, and the idea of introducing entirely new characters and “disrupting” the show seemed like a huge risk.
However, while these new characters (Andy and Karen, in particular) were brought into the picture to help emphasize the division within the show, the Stamford branch was comically consistent with the show as a whole. While it was a different environment, and their arrival in Scranton later in the season created plenty of conflicts, we accepted the characters because they fit in with what the show was trying to accomplish on the whole.
What Parks and Recreation did tonight, however, was perhaps even more impressive: they managed to not only humanize a character who is introduced as a point of conflict, but they managed to completely integrate a fairly big star into an existing comedy ensemble with remarkable proficiency. The credit at the start of “The Master Plan” may have jokingly read as “Introducing Rob Lowe,” but both the show and Lowe do such an amazing job of introducing these new characters into this existing group that any sense of conflict within the series’ actual narrative is non-existent, and we’re left to enjoy a pretty fantastic ramping up of both new and existing storylines without seeming distracted or chaotic.
Basically, I’m deep in the pot at this point, so if you’re at all not feeling the love I suggest you leave now before I lose all objectivity.