January 8th, 2010
I was talking (okay, tweeting) with The A.V. Club’s Scott Tobias this weekend, and he classified “Getting Closer” as a fine example of a time when being hired to write immediate responses to television is not only inconvenient but downright confounding (to paraphrase).
It’s a great way to classify the episode, because a few days after watching it I still don’t really know what to say about it. I can say that I was surprised at various points where the episode wanted me to be surprised, and in a way which reflected emotional response rather than complete confusion. I can say that I saw the conclusion to Tim Minear’s script coming before the show made it explicitly clear, but what’s most interesting is that despite predicting the ending I still have absolutely no idea how it works.
“Getting Closer” is a fantastically entertaining episode of television, but its twists and turns depict a moral ambiguity which makes it almost entirely comprehensible. Tim Minear’s script is not so dense that we can’t comprehend what we’re seeing, but rather neglects (on purpose) character motivations to the point where the war which is supposed to pit one side (good) against the other (bad) has instead become more complex than anything in the Attic could ever be.
Which is yet another fascinating development in a second season that has been nothing if not compelling.