“The Excelsior Acquisition”
March 1st, 2010
Sheldon Cooper is much more intelligent than he is smart.
What’s so strange about this character is that for all of his unquestionable intelligence, he is rarely smart about how he uses it: his lack of knowledge of social conventions means that he is often blinded to how cruel he is acting, which means that the character can often seem extraordinarily harsh. The show has struggled with a number of balance issues throughout its run, but when it comes to Sheldon the real question comes down to this: at what point would Sheldon’s intelligence outweigh his stubbornness or self-centeredness and force him to take a step back and consider what it is he is about to do or say?
I would argue that it is one thing for Sheldon to make a rash decision in search of a “once in a lifetime” opportunity, and I think it’s quite another for Sheldon to be willing to go to jail over insulting a Traffic Court judge. I understand that Sheldon will sometimes make mistakes, and that sometimes he will pick strange battles, but there’s a point where the character makes decisions not because they’re realistic but because they will make for better comedy.
And while I’d normally be fine with this if the comedy really delivered, the few jokes that the show managed to get out of the storyline weren’t enough to justify the borderline idiocy that Sheldon seemed to exhibit in order for it to happen.
October 20th, 2009
When critics have copies of episodes in advance (and, as a result, I don’t have them in advance), it means two things. The first is that they all have reviews ready to post the second the episode ends, meaning that I’m roughly 24 hours behind on posting my thoughts about the episode (considering that I’m not able to watch Sons when it airs). The second, though, is that I kind of already knew what this episode was like: the critics have been talking it up for a few days, and Kurt Sutter even posted last week that the episode was one of the best the show had other done.
As such, this review won’t be particularly long (I lied, it was that good): I, like other critics, really loved this hour of television, and I’ll agree with Sutter that it’s amongst the show’s best. What makes “Gilead” so interesting is that it takes an episode featuring a lengthy homage to HBO’s Oz and a very welcome return of guest star Ally Walker, and yet ultimately delivers an episode that draws out less sensationalist event television and more powerful pre-existing emotional arcs. It manages to both relish in the situation, putting SAMCRO behind bars and playing with prison tropes ranging from the sex trade to the jailyard shivving, and turn that storyline into something meaningful and powerful considered in the long-term.
It’s the kind of short term/long term combination that SAMCRO is painfully unable to accomplish in its current state, and results in a damn fine episode.
October 13th, 2009
When I fall behind on a particular show, chances are that it’s not intentional. I don’t “decide” to not get around to watching the most recent episodes of Dexter before the DVR goes kaput, it just sort of happens in the midst of catching up with everything else I didn’t get to post-vacation. With Sons of Anarchy, this is equally true: after simply not getting around to the season’s fourth episode, the fifth was a casualty of the vacation and it was only last night that I caught up with the adventures of SAMCRO.
And they have been adventures this season, one that has been the very definition of rollicking. It’s the season where storylines never sleep: while it and Mad Men are at the top of the serialized drama food chain right now, their approaches this season could not be further apart. While Mad Men likes to isolate its stories on a particular set of characters, the very point of Sons of Anarchy’s second season is that you can’t escape the coming storm, and that no one (not Tara, not Gemma, not Hale) is capable of standing on the sidelines and avoiding the fray. Rather than trying to depict a slow and tragic fall, the season has never shied from the fact that Zobell is not kidding around, and that the Sons are in some serious trouble.
Some general thoughts on the last few episodes and more detailed thoughts on “Falx Celebri” after the jump.