Tag Archives: Jason O’Mara

Series Premiere: Terra Nova – “Genesis”

“Genesis”

September 26th, 2011

Considering that I haven’t written about a single fall pilot, it might seem unfortunate that I’m choosing Terra Nova. It isn’t the best network pilot I’ve seen, or my favorite: I those crowns would probably go to ABC’s Pan Am, a show that I thought understood its purpose and communicated it more effectively (if not necessarily more subtly) than any other series. I’d also suggest that Terra Nova is not the worst network pilot by a sizable margin, as regardless of its many flaws it is definitely going out of its way to make a major impact (which is more than we can say for a show like Charlie’s Angels).

What draws me to Terra Nova, then, is simply that until tonight I had not seen it. Having screened so many of the pilots earlier in the summer, the sense of “instant reaction” was missing over the course of the past week, which was something that Terra Nova was able to deliver. There’s a thrill in seeing the snarky tweets piling up in Tweetdeck, or finally piecing together what critics who had seen the pilot (in multiple different iterations) have been talking about for weeks. Premiere week is all about first impressions, and the absence of real first impressions has led me to largely focus on a few tweet reviews and a lot of time following the ratings and waiting to see how second episodes fare.

However, there are a few things about Terra Nova that need to be discussed. Most broadly, and what will I guess prove the basic thesis of the post to follow, is that Terra Nova is a classic example of a series being trapped between more and less. It’s like a television magic trick at this point, in which producers have to provide more exposition and explanation in order to keep viewers from being confused, but then they need to include enough mystery that they build anticipation and excitement. As a result, both the exposition and the exclusion end up feeling forced, resulting in a pilot that bears the fingerprints of producer/network manipulation.

It’s also, honestly, not that bad if you just consider it as your run of the mill drama series; of course, that’s the last thing the show wants us to think.

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Yes, I’m Still Watching…ABC’s Life on Mars

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Yes, I’m Still Watching…Life on Mars

February 23rd, 2009

There were many shows that I caught up on over the end of last week, finding myself recovering from one major academic deadline and then not wanting to start preparing for the next one immediately. And so I sat down and caught up on numerous shows that I’ve found myself falling behind on for this, that, or some other reason.

The one I’m choosing to write about first is the one that has perhaps been off the radar for the longest period of time. I blogged my way through the premiere of Life on Mars, but since that point I have been noticeably absent. But the show after a very strong fall finale of sorts in December, Life on Mars has returned after the break to struggling ratings (nothing ever performs well after Lost) but to a bit of a creative resurgence, picking the right kinds of stories and the right balance of 1973 reality and 1973 surreality to sustain my attention.

I still have some concerns with certain elements of the show’s storytelling, but at this point they have done more than enough in terms of creating endearing, well-acted and well-rounded characters for me to be too preoccupied with such matters, and although I am still remiss in not checking out the BBC original series I am pleased at some of the broader mythology stuff that is starting to appear.

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