October 26th, 2010
That’s more like it.
Thus far, I’ve been disappointed in the quality of The Good Wife’s second season, if not disappointed in the season as a whole. There has yet to be an episode which really lived up to the potential of the first season when it comes to its legal procedural elements: the show’s serialized elements have remained present, but the series was at its most effective when the legal story was novel or particularly well organized (I’d argue “Heart” was the season highlight).
For me, “VIP Treatment” is the best episode of the season and certainly a standout in the series as a whole primarily because it is driven by a legal case as opposed to ongoing character interaction. Like last week’s episode, it features some work regarding Peter’s campaign, the love triangle, and Kalinda and Blake’s feud of sorts, but it’s all done in service to the standalone story. It’s an episode which makes its standalone storyline feel like something much more substanthe episode worked really welltial, and which embraces the show’s uniquely well-drawn workplace environment to tell a small story with potentially huge ramifications.