Tag Archives: Julie

Friday Night Lights – “The Lights of Carroll Park”

“The Lights of Carroll Park”

January 13th, 2010

The problem with episodes of Friday Night Lights which feel overrun by homicide or criminal elements is not that those stories are inherently terrible, but rather that they feel incongruous with the show’s world. This is purposeful, meant to manufacture tension, but I don’t think it’s entirely necessary. It’s entirely possible to confront these types of issues within the show’s particular worldview, demonstrating the consequences of crime in ways which feel less contrived and disruptive of the show’s natural order. The show can be about the conflict between the criminal and law-abiding without the show becoming defined by that conflict (or by characters flirting dangerously between the two worlds), and “The Lights of Carroll Park” is a good example of how that can be accomplished.

It’s a slightly more problematic example, however, of how the show can confront the question of abortion. While I am not judging that storyline too quickly, as I’m sure it will be given more time to develop over the weeks to come (and perhaps into next season), the show sort of stretched the believability of its characters’ maturity in dealing with the situation. While I’m all for level-headed approaches to these kinds of storylines, as it’s one of the show’s strongest qualities, I also feel as if there are certain character who should be responding in ways that aren’t mature, and in ways that reflect how challenging these kinds of moments can be.

I guess me distinction is that I want the show to be challenging as opposed to challenged, and while the revonation of Carroll Park naturally fit into the first category I think the teen pregnancy sort of forced its way into the same position.

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Friday Night Lights – “In the Skin of a Lion”

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“In the Skin of a Lion”

November 11th, 2009

It isn’t precisely a dud, but “In the Skin of a Lion” is certainly the weakest episode of the fourth season thus far. It’s really an issue of premise more than it is of execution: every scene and storyline that they ask these actors to portray is effective and hitting the right notes, but there are some underlying imbalances to be found within them.

It’s a problem that the show had, to some degree in its third season, but which felt overcome by an intense emotional centre that kept the show balanced. Part of what the episode is about is how that emotional core is absent in East Dillon, and while the episode works to bring it back the vacuum at the centre of the East Dillon Lions makes this episode distinctly less enjoyable or empowering than the episodes which came before it.

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