“Just the Tip”
June 27th, 2010
Like Cougar Town in the fall, Hung was a show in which some viewers and critics became hung up on its title and its initial premise to the point where they were unable to see the ways in which the show was something more than a dude with a large penis. Those of us who kept watching, and writing about, the show were considered outliers, those who were perhaps reading more into the series than was actually there. And as Hung returns for its second season, it does so in a way which makes us wonder if us outliers were wrong all along.
It’s not that “Just the Tip” is particularly bad, but rather than it feels particularly pointless: the plots in the episode feel either like continuations of first season stories or cliche-riddled story arcs which feel divorced from the social circumstances which created them. While there is meaning in the fact that the central image of Ray’s struggle, his fire-damaged house, remains fire-damaged, it also means that the show feels exactly like it did last summer, which is a problem on a show which seems like its stakes should be escalating rather than normalizing, and which makes me question just what this show wants to be.
May 14th, 2009
When The Office ended its six-episode first season, it really didn’t have anything to wrap up or even celebrate: “Hot Girl,” the season finale, was noteworthy for its first real sense of Pam’s jealousy of Jim dating anyone, but it was just another episode of the series in a lot of ways. Since Parks and Recreation is not only from the same creative minds but is also getting exactly the same six-episode first season leading into a normal second one, it’s hard not to compare “Rock Show” to the finale that came before it.
I’d say that Greg Daniels and Michael Schur have learned some lessons since then, as this is without question a more suitable finale, but intelligently not one that pretends this was a normal season or that we really know these characters. While the party at the center of the episode was successful in its efforts to display some humorous sides to the show’s funniest characters, and the various musical interludes let us enjoy the hilarity of Chris Pratt’s Andy, for the most part the episode shed some light on the three people who are probably the closest to being real characters, giving them each an added touch of humanity that will serve the series really well as it moves forward.
It may have taken six episodes to get there, but I think we’re to the point where Parks and Recreation has put its cards on the table, and earned its spot in NBC’s fall schedule on its own merit as opposed to that of its big brother.