The Disc Stands Alone
June 10th, 2011
You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.
I’ve been falling behind a bit on my Angel catchup, although it isn’t without reason. After finishing the first disc of Season 3, I found myself confronting three very different episodes that were slightly more distinctive than I might have expected. Some offer standalone stories which gesture towards future developments, some look to focus on our supporting characters and their journey to this point, and some offer a more general thematic consideration as facilitated through a carefully designed monster of the week.
There just wasn’t any sort of hook for me to focus on which would unite “That Vision Thing,” “That Old Gang of Mine,” and “Carpe Noctem,” and the recent heatwave zapped away my energy to dive any further into the series to try to find that thread.
And so, while I would like to offer something more, here’s a fairly basis episode-by-episode rundown of the remainder of Disc 1.
“Both Sides Now”
May 11th, 2009
You will notice that this is only one of a handful of times that I’ve blogged about House all season. The reasons for that are really quite simple: the show has done very little to compel me to watch it, yet alone write about it, and the longer the season wears on the more weary I become of some of its formula. I wrote about the biggest moment of the season, Kutner’s suicide, but even then it was in an admittedly negative tone: the show is so averse to change, House always being House and the formula always being the same, that any chance to fundamentally change the series always feels like a missed opportunity once you’re a few episodes out.
But the show loves doing season finales, as demonstrated in “Both Sides Now” where we make a ‘shocking’ discovery about the events in last week’s penultimate episode, which featured the long-anticipated (by some) House/Cuddy hookup and more of the return of Anne Dudek as Amber. I love Anne Dudek, and I enjoy the tension between House and Cuddy, but the episode didn’t really do much for me in the end, outside of providing Hugh Laurie with his Emmy reel.
Hopefully, the Emmy voters don’t see the finale which, although containing perhaps the most interesting “case” of the season, felt like more manipulation for the sake of manipulation.