October 13th, 2010
Terriers is the best new show of the season, but “Ring-a-Ding-Ding” is a fairly dangerous outing.
I don’t mean to suggest that the show is doing anything particularly risky, but this is a thematically homogeneous episode in a way that presents distinct challenges for a serialized procedural of this nature. The episode is all about marriages, as each of our main characters grapples with the prospect of marriage while the case of the week deals with a marriage in its final hours.
For a show which is trying to establish itself as something more than a P.I. procedural, this homogeny – which would normally be commonplace in low rent procedurals – has the potential to go off the rails, but “Ring-a-Ding-Ding” is a satisfying and successful hour. Instead of using the marriage theme to simplify the storytelling, the show uses it as a point of conflict, offering a noir-ish take on procedural storytelling befitting the young series.
Lowering Expectations for Skins Season 3
August 7th, 2009
Earlier this year, British hit Skins returned to television with a third season in a way that few shows have done before. Gone were every single original cast member save some supporting characters and young Effy, whose brother Tony was at the center of the first two seasons. This was quite controversial for those who loved the first two seasons, which at times really were extremely compelling pieces of television in terms of both writing and directing. I think those first two seasons were ultimately a tad inconsistent, but they evolved in such a way as to really endear me to those characters; even when the second season eliminated any sense of Sid’s innocence, and never quite knew how it wanted the rest of the characters to handle Tony’s newfound learning impairments, the show was so stylistically interesting and raw in its depiction of teenage lust and life that it had a fair deal of momentum heading into its third season.
The season debuted on BBC America last night, months after it was originally supposed to air, so viewers on this side of the pond have been able to see a premiere that feels like an attempt to fit these characters into the show’s previous mould: there’s debauchery, there’s sex, there’s the beginnings of a love triangle, and characters are defined based on their individual characteristics but begin to show signs of resisting those definitions. It all seems like the show is moving along the exact same track before.
And it is in this fact, I hate to tell you, that the show falls off the rails, struggling for the entire season to recapture what made the first two seasons engaging while not quite understanding that there are fundamental realities their storylines include which can’t be reconciled by sex or violence. This group of characters is not the same as the group before, containing its own intricacies and its own difficulties, but because the show around them hasn’t fundamentally change there is very little organic about the third season. More than ever, the machinations of a show designed to dull the senses to extreme teenage behaviour come into focus, and those storylines which survive due so by either isolation or in the fact that the show has never quite gone there before.
So consider the post that follows, containing a few light spoilers for Season 3 (and a whole whack of spoilers for Seasons 1 and 2), my public service for the day: I wish I could say otherwise, but if you’re expecting Skins Season 3 to live up to what the first two seasons offered, you’re going to be disappointed.