October 20th, 2009
One of the things which makes any legal show somewhat interesting is when it largely evades the law. At the heart of The Good Wife is less a question of what is legal or moral, but rather what is just. The central premise is such that Alicia is forced to consider whether or not her husband committed a crime, and whether or not that even matters to a broader question of justice. It’s one thing to say whether Peter broke any rules, but it’s another to say whether he was unjust to his family.
And because “Crash” focuses on a story where the goal is to actually avoid the legal system, where the crime being committed is a moving target while the injustice is staring everyone right in the face, it really brings this type of story to the forefront. Mixing that case, which on its own was interesting, with a couple of interesting sidenotes, some more work on the ongoing storyline with Peter, and even some acknowledgement of the tension between Will and Alicia, and you have yet another solid hour for the series.