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Cultural Catchup Project: Post-“Innocence,” It’s Personal (Buffy the Vampire Slayer)

Post-“Innocence,” It’s Personal

May 2nd, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

When I wrote about “Surprise” and “Innocence,” I entered into the posture I tend to take at certain points along this journey: when you know that things eventually get very dark and complicated, you tend to cry wolf at any sign that things are becoming very dark and complicated. It was clear from fan response that these two episodes represented a turning point of sorts, and watching them you see a dramatic character transformation that does in fact “change” the series in a way that seems pretty substantial.

However, the interesting thing about the episodes which follow “Innocence” is that the changes are for the most part subtle rather than substantial. While people tended to agree with my statement that Angel’s transformation represents a true “game-changer,” I have a feeling that the impact has more to do with the series’ long term changes than with any sort of immediate shift in the series’ narratives. While you could argue there is now more darkness in Buffy’s world, that doesn’t really change the tone of the series, nor does it dramatically alter the kinds of stories the show decides to tell.

Rather, the changes during this period come in the form of the supernatural becoming personal, with supernatural phenomenon presenting itself (primarily) in ways that tap into something inherent to these characters rather than inherent to the Hellmouth or some sort of demonic power. It’s a subtle shift in the series’ dynamics, but it is nonetheless a fairly important development which reinforces the events of “Innocence” within, rather than against, the series’ typical narrative structures.

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