Tag Archives: Kurt Sutter

Sons of Anarchy – “Falx Celebri”

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“Falx Celebri”

October 13th, 2009

When I fall behind on a particular show, chances are that it’s not intentional. I don’t “decide” to not get around to watching the most recent episodes of Dexter before the DVR goes kaput, it just sort of happens in the midst of catching up with everything else I didn’t get to post-vacation. With Sons of Anarchy, this is equally true: after simply not getting around to the season’s fourth episode, the fifth was a casualty of the vacation and it was only last night that I caught up with the adventures of SAMCRO.

And they have been adventures this season, one that has been the very definition of rollicking. It’s the season where storylines never sleep: while it and Mad Men are at the top of the serialized drama food chain right now, their approaches this season could not be further apart. While Mad Men likes to isolate its stories on a particular set of characters, the very point of Sons of Anarchy’s second season is that you can’t escape the coming storm, and that no one (not Tara, not Gemma, not Hale) is capable of standing on the sidelines and avoiding the fray. Rather than trying to depict a slow and tragic fall, the season has never shied from the fact that Zobell is not kidding around, and that the Sons are in some serious trouble.

Some general thoughts on the last few episodes and more detailed thoughts on “Falx Celebri” after the jump.

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The 2008 Television Time Capsule: Sons of Anarchy – “The Pull”

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“The Pull”

Season One, Episode Eight

Airdate: October 22nd, 2008

Of the fall shows that emerged from the 2008 season, FX’s Sons of Anarchy is the one you know the least about, and the one that you should have been watching (I too was behind on the show, and caught up during December). Labeled as the spiritual successor to The Shield, the show introduces us to a world we don’t understand and a code they claim is anarchy and yet is maintained through a strict set of rules and guidelines.

When the show truly took off is, not coincidentally, the point at which it threw the rules out the window and embraced a side of itself which was entirely unburdened. “The Pull” may not be the single best episode of the show’s first season, that title perhaps belonging to the season finale which Alan Sepinwall pegged as one of the best episodes of the year, but it was the one that made me a believer.
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