Why I Hated the Pilot
June 30th, 2009
[While I’ve blogged about some episodes of the show, and even covered the PaleyFest panel about the show in April, I haven’t actually watched The Big Bang Theory with any consistency. I’m watching the show as my thesis breaks over the next few weeks, and while I have no intentions of any indepth thoughts (not that kind of show), I do have a few things to say about the show, and will stop by with them on occasion.]
For a good year, the only thing on this blog on the subject of The Big Bang Theory was an article lumping it in with Cavemen, a problematic judgment that I knew needed to be addressed but didn’t really see any rush in fixing. The show just really turned me off with its pilot, and after watching it there was absolutely nothing that could convince me to keep watching…or so I told myself.
In my head, I had sworn off the show after the pilot, never to watch again after it had offended me so – watching the first season, however, I appear to have watched at least a few of the episodes that followed, whether randomly or purposefully but without much intention. Clearly, my experience with them didn’t override my disdain for the pilot, so going back to that first episode I was still very curious to see if I could pinpoint just what it was that resulted in such vitriol.
I think I’ve found the answer: the thing that made me hate this pilot is, rather than the existence of a laugh track, the execution of said sitcom device.
I’m, admittedly, a sucker for a good Christmas special; this time of year is always quite enjoyable for precisely these types of events, things that wouldn’t be seen during a different time of year. Collecting together numerous recording artists and television personalities in a New York soundstage to create a Christmas special with humorously-themed songs isn’t something that happens every day, and that’s one of many things that I enjoy about this season.
What “A Colbert Christmas” does best is revel in its unique place within the pop cultural spectrum, one based on the duality of its star. Stephen Colbert (the character) is a conservative pundit who fights against the war on Christmas, while Stephen Colbert (the performer) is a hit amongst young liberals. What you get, then, is an entertaining cross-section: Toby Keith stops by the rebel against those who are trying to fight against this most sacred of holidays, while indie darling Feist is just as comfortable as an angelic switchboard operator.
When the special is at its most comfortable, it’s wonderfully entertaining; it never lets Colbert’s character go too far, and its use of its guest stars never drops below “mildly disinterested and awkward to be acting in front of a green screen.” Where it does go a little off the rails, with an overly obnoxious laugh track, feels like an honest enough error in judgment; I just wish they would have trusted us to insert our own laugh track, because I think they would have come out just fine.