November 8th, 2010
To check in on a show you haven’t watched for a while is always a bit disarming, but being as media saturated as I am sort of softens the blow. I think the last time I watched House regularly was early in its fifth season, since then tuning in for special episodes (like “Broken” and “Wilson”) where the internet suggested it would be worth my time. However, because I spent so much of my time surrounded by people who do keep watching the show, I get bits and pieces: I wasn’t shocked to see Thirteen missing, for example, and I was thankfully prepared for the alarming sight of Cuddy pressing her lips against House’s lips (I think they call it kissing? It was icky).
And yet, the whole point of House is that we’re supposed to be able to jump right in, especially in an instance like “Office Politics” where a new character (and subsequently a slightly new dynamic) is being introduced. Amber Tamblyn’s arrival as Masters, who effectively replaces Thirteen since Olivia Wilde is off becoming a movie star, is not the seismic shift that perhaps the show needs to enter back onto my radar full time, but the episode has just enough dynamism to feel like an event for those of us who appreciate Tamblyn and like to imagine a world where House remains a relevant television program.
Of course, at the same time, the sheer similarity of the formula means that stepping back out is just as easy as one might imagine.