Tag Archives: Michael Cassidy

Privileged – “All About Insecurities”

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“All About Insecurities”

November 11th, 2008

As far as new plot developments go, tonight’s episode of Privileged was not exactly a step forward for the series: while Megan’s college roommate Karen (Everwood’s Sarah Drew) arrives to add a new wrinkle to Megan’s position, the idea of Megan questioning how much her current position supports her talents and her future is something the show has dealt with quite often. While Rose and Sage do end up headlining at a club opening and hobnobbing with guest star Perez Hilton, we knew from last week that there were going to be some hiccups in their academic endeavours once their “careers” took off.

And yet, I actually thought a lot was done within these individual plot elements to give the stories some depth. Privileged is operating on a feather-light structure, one that is dangerously close to being overtapped by my personal estimation, but if the show is able to subtlely move the story along as “All About Insecurities” did I believe that it can do very good things with the rest of this season and beyond.

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Privileged – “All About Defining Yourself”

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“All About Defining Yourself”

November 4th, 2008

I always hate to be too literal with titles that have some meaning within my review, but checking back in with The CW’s Privileged on this particular episode title is quite fortunate. This is a show that, from its pilot, defined itself very carefully, establishing some fairly standard forms of drama that would play out in the episodes that followed. You had your plucky heroine who’s in over her head with a strict boss, two out of control teenagers, a best friend who is in love with her, a sexy neighbour who flirts with her, a sister she hates, a drunk father she resents, and a runaway mother who she has written out of her life. Let the melodramatic hijinx commence!

In the hands of Rita Mimoun, I think that those of us who have been watching Privileged have seen many of these things play out in ways that are more charming than cliched, a fact that has elevated the series in our eyes. It’s considered to be, at this point, the one freshman show that critics and discerning viewers are really getting behind (Pushing Daisies being the sophomore series getting the same treatment), and that is very much about its strongly defined sense of identity that has been formed over its opening episodes.

But, as of late it feels as if the show is burning through its storylines a bit too quickly: we’ve met Megan’s troublesome sister, introduced her reformed father, had her clash with the two teenagers, and pitted her neuroses against her boss on numerous occasions (plus, Sharon Lawrence has recently been cast in an extended guest arc as, you guessed it, Megan’s mother). With a lot of the show’s built-in drama being expended so quickly, one feels like the show is going to fall into a trap of either repetition or, similar to shows like Gilmore Girls and The O.C., having to keep introducing new characters and stimuli while repeating the same patterns.

So, I entered “All About Defining Yourself” with this concerned pointof view, and I left it with two general sentiments: that I still don’t know if the show has enough of a foundation to head down that path, and that I think we owe it some more time to get there.

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Series Premiere: Privileged – “Pilot”

“Pilot”

September 9th, 2008

For those who read the blog on a regular basis, it seems like the early part of this week is more or less all teen soap operas, all the time – and that’s without me having much to say about the second season of Greek, which I do plan on commenting on at some point in the future (perhaps tonight’s episode, yet unwatched, will do the trick). However, for now, I want to comment on The CW’s newest entry into the field, their choice for a lead-out from 90210. Coming from Rita Mimoun (late of Gilmore Girls, Pushing Daisies and Everwood), this is a series that is definitely not a much buzzed about debut, not does it carry with it any of the same concerns over sexual content.

Instead, it is something very different: a show that, unlike 90210, is taking time to establish its own identity as opposed to simply throwing fascimiles of genre archetypes into a pot and hoping things work themselves out. There are points where Privileged becomes a bit too precocious for its own good, but Mimoun’s time on former WB/CW dramedies has served her well: for every small moment of dialogue that’s a bit too quippy, there is a moment of well-placed exuberance, or heartfelt honesty, that ground the show in something quite compelling. The scenarios here are not “Remember that summer when we met?” but rather complex family conflicts, romantic tension-filled friendships, and just the right amount of characters for us to follow in the early going.

I’m not saying that the show is perfect, but after watching 90210 kind of just flop around earlier in the evening it’s kind of nice to see a show that, for its pilot, completely understands what it wants to be, how it plans on getting there, and what it was about The O.C., Everwood or Gilmore Girls that not only kept people watching, but that sucked people in to people, places, ideas.

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