Going “Across the Sea” with Critics
May 12th, 2010
Writing about Lost on a weekly basis has been consistently challenging this year not in terms of having anything to talk about but rather in terms of tempering one’s response. We all know that the show is close to reaching its conclusion, so we’re all thinking in the back of our minds that the success of the sixth season’s episodes may well depend on where things end up. We can evaluate how much we enjoyed the episode, and how it connects with the show’s characters, but we can’t really evaluate where it fits into the big picture.
However, an episode like “Across the Sea” desperately wants us to think about the big picture, and I think the reaction to the episode is a reflection of the repressed theorizing regarding the finale that people have been building up inside. “Ab Aeterno” provided a release, a chance to consider the island’s past, but we’ve spent the rest of the season withholding our opinion about the Flash Sideways story until we see where it’s going, just as we’ve spent the last six seasons withholding final judgment on the island mysteries.
It makes perfect sense why outright Lost skeptics would respond to this episode in such a divisive fashion, as they’ve been waiting for an opportunity to tear apart the show’s science fiction and this episode gave them plenty of lines rife for parody. However, even the most patient of fans have reached the point where they can’t keep withholding their opinions, and “Across the Sea” has everyone expressing their concerns about whether this is all going to come together and whether this was how the show should be spending its time.
And perhaps the point of it all was to bring our skepticism to the surface, to force us as viewers (or as critics) to put our cards on the table and take a stance regarding the season and the series thus far. “Across the Sea” seems designed to provoke viewers, but perhaps it does so because it knows that it’s better audiences ask these questions (or angrily revolt against the series) now rather than after the finale. Perhaps it’s all a fiendish trick to place us on one side or another heading into the finale whether we have a choice in the matter or not, revealing which of us are men (or women) of science (desiring a more concrete explanation for events) and which of us are men (or women) of faith, who even through a somewhat ridiculous metaphor are still believers of what Lindelof and Cuse are trying to accomplish here.
Either way, the showdown is already beginning, and the crosstalk between critics is as interesting as it’s ever been, so I’m going to at least consider “Across the Sea” a success in that regard as I try to capture some of that discussion (although don’t pretend I capture the depth of each individual review with these comments, and do click through).