Tag Archives: Narration

How I Met Your Mother – “The Mermaid Theory”

“The Mermaid Theory”

December 6th, 2010

“The Mermaid Theory” is interesting in two ways. And since they’re not particularly substantial ways, I’m just going to cut the introduction off here and we can get into the meat of it.

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Mad Men – “The Summer Man”

“The Summer Man”

September 12th, 2010

“All he knows of the world is what you show him.”

There has always been a disconnect between Don Draper’s external persona and his internal struggle, but this season has largely broken down that expectation. Now, Don is incapable of hiding his sadness from the outside world, lacking the glossy exterior to trick those around him into believing that he is truly a happy man.

“The Summer Man” throws light on this reality by taking us inside Don Draper through what I believe will be a fairly divisive decision to have Don’s journal serve as narration for the episode. By all accounts, including his own, Don Draper is dedicated to changing his current path, but the real test is whether or not those around him believe this transformation – while I would share the reservations that some have regarding the narration, I would ultimately argue that it helps crystallize the episode’s key theme of the difference between self-perception and how Don and others are perceived by those around them.

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How I Met Your Mother – “Hooked”

“Hooked”

March 1st, 2010

“In this story, I’m just a jerk.”

Future Ted, as voiced by Bob Saget, pretty much has his kids on the hook. You see, they’ve been sitting on that couch for what seems like years, patiently waiting to hear the story of how he met his mother, but it seems as if there are times when Future Ted has no interest in that story. Instead, he tells other stories, stories where the character switches from a romantic idealist to an unfortunate jerk. Those are the episodes where people turn on Ted as a character, where some viewers (and potentially his children) find him to be unlikeable to a degree that seems strange considering how enjoyable he is when he is in that romantic mode.

In some ways, what I liked so much about “Hooked” is that his kids (or, in other words, the audience) off the hook right off the bat: Future Ted informs us that in this story, he is a total jerk, which prepares us for an episode where Ted’s romanticism (and, frankly, romanticism in general) is completely absent. And so we’re able to laugh at Carrie Underwood’s Tiffany without wondering if she’s the Mother, and not feel as if the show (or Future Ted) is unaware that Ted is being a little bit douchey throughout the half-hour.

In some other ways, however, what I liked so much about “Hooked” is that the audience is just as hooked on the show (and Ted as a character) by episode’s end, even when that ending has all of the characters acting like jerks.

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