Papacy without Purpose: Showtime’s The Borgias
April 3rd, 2011
Things do come in threes, don’t they?
As critics across the country confront a trio of drama series which all fall into the broad category of costume drama (albeit with some divergence in terms of additional variation), comparisons are inevitable. While I have yet to check out Starz’s Camelot (in part because I fear what they’ve done to Malory’s Morte, and in part because I just haven’t had the time), I watched the first four episodes (two of which debut Sunday night at 9/8c) of Showtime’s The Borgias after having watched the first six episodes of Game of Thrones over the course of the previous day, and…well, it was not a helpful comparison for the Showtime series.
I’ll have more on Game of Thrones in the days ahead, but I actually think that The Borgias is worth some time – while it starts slow and struggles to find a particular “purpose” as a result, there are moments which betray an actual interest in exploring the political complexities which result from the Borgia family’s winding path to power. The problem is that they are both too infrequent and too brief, giving way to a paint-by-numbers historical costume drama which fills in the blanks instead of coloring outside the lines.