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Mad Men – “The Good News”

“The Good News”

August 8th, 2010

I spent a good half hour stumbling over how to start confronting this episode before eventually deciding to sleep on it, and upon waking up this morning I discovered why. “The Good News” is a tremendous episode of television, but it’s an episode of television which confounds how I normally confront these reviews. It’s difficult to write about, for me, because its continuities are largely unrelated to the season thus far: while parts of Don’s story theoretically connect with his behaviour thus far this season, it connects even more with his past as Dick Whitman, and since Joan Holloway and Lane Pryce are getting their first showcase of the season we’re required to dig back into the third season as if this were their premiere.

There are connections between the two sides of this story, but the episode is so clearly divided by Don’s time in Los Angeles (or Dick’s time in Los Angeles, more accurately) and Don’s return to New York that it’s not unlike two entirely different episodes – that it still feels cohesive is a definite accomplishment, but it’s something that makes tackling every minute detail of the episode as I tend to do more challenging.

However, it also makes it entirely possible to address it more briefly while leaving some material for a “Mad Men the Morning After” later today or tomorrow, so let’s get to “The Good News.”

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Mad Men the Morning After: Critics Relate to “Public Relations”

Mad Men the Morning After: Critics Relate to “Public Relations”

July 26th, 2010

When I was somewhat incredulous about why anyone even the least bit afraid of spoilers would read pre-air reviews of a show like Mad Men, part of that response came from the fact that I think pre-air reviews are a horrible medium for capturing the complexity of a show like Mad Men. I am a firm believer that the best analysis from television critics comes after, and not before, an episode airs, and so while I avoided reviews before “Public Relations” aired I spent the morning (or, more accurately, the early afternoon) reading some really intelligent thoughts from the critical community.

And, as I’ve done in the past with other shows, I figured the intelligence of those comments warrants some further discussion, so let’s take a look at what the critics are saying about Mad Men’s “Public Relations.”

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