January 28th, 2010
Noel Kirkpatrick put together a post on “formula TV” over at Monsters of TV yesterday, and in highlighting Burn Notice he points out the following:
…each episode will also find Michael trying to get back into the CIA (originally to find out who burned him and why), often near the end of the episode or throughout the episode while trying to help the Client of the Week.
And while this is ostensibly true, it’s important to note that not all such efforts are built to the same standards: Carla was a distraction which forced Michael to multi-task, while the police detective at the start of the season was a nuisance that forced Michael to be more cautious. And while I thought Carla felt as if she created character-driven drama, in that Michael was distracted and perhaps too focused on returning to his position within the CIA (the same goes for Strickler, to some extent), Moon Bloodgood’s detective was just a barrier who made the show less interesting, a muzzle that kept Michael Westen from being Michael Westen.
It’s too early to judge Gilroy yet, but “Friendly Fire” is the ideal demonstration of how fun Burn Notice’s formula can be: a compelling story is made more explosive and more enjoyable by the presence of an external figure who is looking for a good show. And while it might not be as psychologically complex, it presents no barrier to the show being its fun, high-energy self, which makes it a story with quite a bit of potential.