December 2nd, 2008
I wrote a piece a few weeks ago wherein I talked about the gradual serialization that was causing some viewers of one of the season’s successful demo hits; Fringe may be from J.J. Abrams, but it was taking a lot longer to feel like it was capable of rising to the scale of the shows we most often associate with Abrams (Alias, Lost). I argued at the time that this was part of the appeal, that it was designed (as will be Joss Whedon’s Dollhouse) to appeal to two different sectors of viewers.
Well, I’d tend to argue that between last week’s solid “The Dreamscape” and the quite eventful and entertaining “The Safe,” Fringe has officially entered into the next phase of its serialization. Picking up, really, where “The Equation” left off, this episode felt like vintage Alias. It put together pieces that we didn’t know were pieces, brought various recurring characters into one central location, and revealed that our charisma-less heroine is more central to the series’ biggest questions than we realized.
What we got, finally, is an episode that felt meaningful: where the science was being used not to terrorize but to disrupt, and where both our characters and the conspiracy took on new roles that will lead to a better series once the show returns in January.