March 18th, 2010
Sometimes, a show creates a storyline that has a lot of potential, but then that show tends to choose the least interesting component to follow through with. There’s been a lot of talk about the wasted potential of the Sabre arc on The Office, and I think “New Leads” was far more interesting conceptually than anything relating to Kathy Bates’ guest arc. The idea that the Sabre arrival created new versions of the same old conflicts between Michael and management that we’ve seen in the past was pretty lifeless, while there’s plenty of potential in the new Sabre hierarchy turns the sales team into stuckup jerks and completely destabilizes the office.
While I’m not amongst those writing off this show for its recent missteps, I think it’s sad that they thought the management story was worth a number of episodes while the office hierarchy episode was treated as a wacky stand-alone story. “New Leads” doesn’t quite live up to the potential of this story, failing to earn the character moments it tries to create within the carnage, but it’s at least a sign that they did know the right stories which could emerge within the Sabre arc, even if they didn’t quite know what to do with them.
April 30th, 2009
Alan Sepinwall posted a link on Twitter to a piece at NPR’s Monkey See Blog about The Office Season Five that I would tend to agree with. In the article, Linda Holmes makes the argument that on a character level this season has been one of the show’s strongest, especially for Michael. Considering that we started the season with Holly, and then eventually moved onto the Michael Scott Paper Company, this has been a big year for the show’s lead character, and a year that has almost never been defined by sheer comedy.
I don’t know if Holmes had seen tonight’s episode when she wrote the piece, but it’s a fine justification of her central thesis: it was almost as if the episode was Michael trying to fall into his former broad comedy and rather selfish attitude but the show around him demonstrating that it isn’t willing to let it happen. As the Michael Scott Paper Company and Dunder Mifflin merge together, tensions are certainly high, but letting the more laidback “Casual Friday” element of the storyline play out alongside the more legitimate tension of the reunion really made this half hour stand out.
I’m not quite sure if I’m in a position to call it the best season ever, but it’s certainly making a strong case for it with only two episodes left.