“The Mighty and Strong”
January 31st, 2010
Big Love has always dealt with, by design, the trials and tribulations of Bill Henrickson and his extended family, reaching back into the depths of Juniper Creek and into the three houses that sit side-by-side in a Utah suburb. But over time, we’ve come to meet people who are connected to this extended family in different ways than the “family,” people who are part of this world without necessarily being part of Bill’s drama.
“The Mighty and Strong” certainly doesn’t refer to Bill Henrickson, bully, with its title, nor does it refer to his three wives who are all struggling to come to terms with their current situations. Rather, it seems to refer to the people who are on the periphery, the people who are there for these characters when their worlds start to unravel or who are there to offer a critical gaze on the actions being undertaken. They are, in a sense, what we imagine ourselves to be in this world: someone who will cut through the politics, but through the sensationalism, and just treat these people like human beings rather than pieces in a elaborate puzzle.
And, unfortunately, they’re people that the show’s central characters don’t always appreciate as much as they should.
“Reversals of Fortune”
September 14th, 2009
There is no question, whatsoever, that Gossip Girl is a flawed show which only on occasion finds its true potential. That potential is most often bottled when we get the opportunity to see Chuck Bass and Blair Waldorf together, trading barbs and turning what is often a depressing melodrama that fails to capture the potential of this concept. By so isolating the show’s universe in a small collection of characters (many of whom I, you know, don’t like), the show has become less about teenagers and their wily ways and more about these individual characters repeating the same cycles over and over again. For Chuck and Blair, this has weakened their appeal: for Dan and Serena, it’s eliminated it altogether.
So why do I keep watching? I think part of me wants to be able to say that I’ve still got a less than critically fascinating series on my schedule, but at least some part of me wants to see how the show handles itself as the teen soap of its generation. There is something about Gossip Girl’s bizarre dichotomy between cultural awareness and actual ratings/quality which says something about this generation of television viewers, and Josh Schwartz and Stephanie Savage are not slouches behind the scenes.
“Reversals of Fortune” does what every Gossip Girl premiere does, playing off of the uncertainty of what happened in the past summer and the kind of mistakes and ill fortunes that the characters find themselves in as a new year begins. It’s the same formula the show has used numerous times before, but it also still works, in particular this time around as the show resists turning Dan and Serena to the forefront and lets Blair and Chuck’s relationship keep its spark by playing with expectations.
It’s not high drama, but it’s the right kind of premiere for the series.