Tag Archives: Stakeout

How I Met Your Mother – “The Rough Patch”

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“The Rough Patch”

November 9th, 2009

One of the intriguing elements of How I Met Your Mother is its use of skewed memory, as what we’re seeing is not reality so much as it is Future Ted’s perception of reality. In some instances, the show uses it for subtle jokes such as the opening one here, when Future Ted manufactures a preposterous story for how a pornographic movie happened to find its way into the VCR. In other instances, however, the show creates more of what I’d call gags, like how Robin’s older boyfriend at Thanksgiving was played by Orson Bean so as to exaggerate his age for the sake of the story being told. These are unique because, unlike those established mainly through voiceover, they become a running gag in their own right.

Last week’s “Bagpipes” used a combination of the two in the running gag of sexual noises emerging as bagpipe music, which was clever and underplayed. However, “The Rough Patch” fails because it uses such a gag at the heart of a fairly substantial bit of character development, one which is not capable of transcending the pop cultural stereotypes. Putting Barney into a fat suit as a one-off gag is fine, but using it as a representation of an integral piece of character development feels both false (in that the exaggeration seems too central) and rushed (in that the story doesn’t feel like it has come to its conclusion).

It results in an episode that is wholly dissatisfying, a failure both in terms of its premise and in its execution.

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Parks and Recreation – “The Stakeout”

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“The Stakeout”

September 24th, 2009

Last night’s ratings report, in all of its complexity, has a lot of big stories. Some are positive: FlashForward won its timeslot, Bones held up well against the increased competition, Grey’s Anatomy grabbed what will be the week’s highest demo numbers, and The Vampire Diaries actually grew in a competitive timeslot on The CW. Others, however, are negative, like CSI plummeting to all-new lows while handicapping The Mentalist which struggled to match last year’s premiere numbers in a more high-profile time slot.

However, the real sadness is in the fall of two of NBC’s sitcoms, in particular Parks and Recreation. Community, with its Office lead-in, is in a somewhat safer position and put up solid but significantly lower numbers than last week’s sampling. But Parks, which struggled in the ratings in the Spring, dropped down to the same levels as The Vampire Diaries and is on a sort of ratings life support. In a month, these two shows are going to be sharing this timeslot, and if they’re already struggling that’s only going to get tougher as things move further into the season.

And this is kind of terrible for Parks and Recreation in particular, a show that not only deserves more viewers but deserves to earn back the viewership of those who bailed early in its uneven first season. “The Stakeout” is maybe not quite as laugh-out-loud funny as Community’s sophomore episode, but I’d argue that it was the best constructed of the three sitcom episodes on the evening, utilizing its characters to hilarious effect and confirming just how much better the show is this season. It may be struggling in the ratings, but it’s killing where it matters most (to us, if not to NBC).

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