April 26th, 2009
While its Thursday night comedy counterpart The Office has been delving into a long-term storyline over my hiatus, which has made not blogging about it a little bit more problematic, 30 Rock has been in a very different sort of place. This isn’t to say that the show isn’t achieving its goals: this is two solid episodes in a row now, so one can’t say the show is necessarily coasting.
In fact, I’d argue that “The Ones” was really on the ball in terms of both its light comedy (which is almost always strong) and its resolution and continuation of some storylines and characters who have been hit and miss. I was less than kind in my analysis of the Elisa storyline, but some time in Puerto Rico seems to have done both the character and the writers well, as the zany but grounded conclusion felt like the ideal sendoff. Combine with the second straight good use of Jenna, a fun little Tracy diversion, and Liz as Jack’s bro? And this was an episode chock full of strong dynamics.
December 11th, 2008
If there is a recipe for a good Christmas episode, it’s primarily comprised of two things: heart and musical numbers. This is all I really ask for: a Christmas episode, even for a comedy, where Christmas is just a punchline and where nobody breaks out into song is just not the kind of lively affair that I want to see at this time of year. Thankfully for 30 Rock, they got the basics right: “Christmas Special” had plenty of heart, and featured a nice end-of-episode musical number that warmed the cockles of my overtired and somewhat chilly heart.
As far as episodes of 30 Rock go, it was par for the course: Jack is in full of neuroses move over his Mother’s arrival in town (and, worst of all, confined to bedrest with a bell at her side), Liz tries to do something good but lets her own neuroses lead her to doubt the spirit of Christmas and ruin it for two young children, and Tracy and Jenna are used as the entertaining sideshows we appreciate them as. Working in a nice number of secondary characters and some fun lines scattered throughout, a slow-starting episode finds its groove in a heartwarming ending to certainly end up as NBC’s most festive (and satisfying) comedy in the hour.